"She Made Her Decision Before You Finished Your Sentence"

Three seconds. That's how long it took. Your shoes. Your posture. The way you held your drink. Whether you looked at the floor or looked at her.

She already filed you away. Interesting. Boring. Safe. Bold. Before you even opened your mouth.

Everything you say after that is just her confirming what she already decided.

So stop rehearsing lines. Fix the first three seconds. Stand tall. Look up. Smile like you mean it. Walk like you belong wherever you're standing.

The words come later. The impression comes first.

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Kino: Good or bad?

ARrocket

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Ok, today I was feeling like crap, so I decided to read the bible (DJ bible of course).

Now, since joining this site, I've been bombarded with thoughts of kino. It seems to make perfect sense to me. But according to this post (http://www.sosuave.net/forum/showthread.php?s=&threadid=40241), it seems that kino should not be used as heavily...and the reasoning seems valid as well.

Personally, I still think kino is a very important tool, but I'm wondering what you guys think of this....
 

"The Coffee Shop Girl You Never Spoke To"

You've replayed it a hundred times. She stood three feet away, scrolling her phone. You had an opening. You composed the perfect line — after she was gone.

For all you know, she's married now. To some guy who said something. Anything.

Openers are cheap. Almost any sentence works when it's delivered within three seconds. The expensive part is the standing there, drafting and deleting, while the window quietly closes.

The "22 Rules" stripped out my hesitation. What to open with, how to keep it alive, and the one habit that costs guys more women than anything else: waiting for perfect.

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I.A.F.Y.B.

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Kino is a great tool. But, yes, It should not be used heavily at first. You want to start off lightly and escelate depending on her re-actions.
 

antidonjuan

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At first I was intimidated by using kino but just grab ur balls and try it. Try to find out; hands on experiences are better than words
 

"She Liked You in March. It's October Now."

Attraction runs on a clock.

She flirted for weeks. Touched your arm. Found reasons to be alone with you. And you were careful. Respectful. Waiting for the right moment.

The moment had a shelf life. It expired around month two, and by the time you asked her out, she'd quietly filed you under "little brother."

One of the hardest lessons inside the 22 Rules: women rarely wait. Interest either grows or it decays, and nothing decays it faster than a man who never moves.

Make the move while she's still inventing reasons to be near you.

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schttrj

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oldschooler said:
The only bad thing with kino and me is im really touchy feely, I love hugs and all that jazz and as a result I have scared people away before :).
ya, it happens like that. i have one of my friends like that but note, the touchy feely guys can really be very good players cause they can escalate very easily.
 
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