"I just moved here from Florida."

That sentence contains at least five follow-up questions she WANTS you to ask. Where in Florida? What brought you here? How long have you been in the area? What do you miss? How does it compare to here?

She handed them to you on a silver platter. And you said, "Oh cool. I come here every week. I love this band. Ummm... pretty crowded tonight."

She smiled politely. Nodded. And never texted you back.

I was that guy for years. Talking too much. Listening too little. Panicking about my next sentence while she was literally feeding me the answers.

Then I found 22 rules that fixed the whole thing. Rule number one: shut up and listen. She'll tell you exactly what to say.

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Paradise Lost

CableLight

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Anyone read Paradise Lost? I finally got around to reading it and wasn't really impressed.

Milton took basic ideas from the bible and basically added conversations and textual details to it. I know a lot of it's fabricated but it doesn't seem like he really created anything too amazing...at least, not worthy of the "aura" that seems to go with this book.

I mean, I finished it and just kinda said "Okay..." through most of it. I'm not saying it was boring, it just wasn't anything great. It felt kind of like reading Grendel, the story some guy (forgot the name) wrote about the monster in Beowulf. He took and idea that was already established and just made some filler details for it. From a reading perspective it isn't bad, but it's like watching a spinoff show of a popular TV series, ya know?

Anyone else feel this way?
 

"Why Women Dump the Guys Who Try the Hardest"

You paid for dinner. You drove. You said "whatever you want is fine" every single time. All the effort, no expectations.

And she left anyway — probably for a guy who makes her pick up the pizza.

Painful. Also predictable. Her mind quietly concludes that anything requiring zero effort from her is worth exactly zero. You became a free sample, and free samples get taken for granted.

The 22 Rules flip the dynamic. Small shifts that get her investing effort, money, and time in you — until SHE'S the one afraid of losing YOU.

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CableLight

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Yeah...I don't think so.
 

MVPlaya

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I personally loved Milton's Paradise Lost. You are evaluating the epic poem from a far too contemporary standpoint, what Milton did in describing his protagonist, Satan, was to imbue a storyline that did not cast him as all that was evil but to give him a more human side if you will. Before there were true existentialist thinkers, Milton wrote the books with strong existentialist undertones that clashed with the dogma of moral absolutism; this, by itself, is a fascinating critique of religion and the constructs of faith. Milton's epic was ground-breaking and stirred considerable controversy upon publication. Additionally, I recommend you pay deeper attention to the lines, Milton's work has countless deeper allusions and intertextual references that, if caught, make the book substantially deeper. I think you only read the book at a superficial level.

-MV
 

Francisco d'Anconia

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I remember reading it in high school and not being too impressed with it. But I will admit my taste in literature back then was not very broad. Good literature to me were the lyrics of Neil Peart on Rush's concept albums... :p

"Hold the red star proudly high in hand!"
 

"She Laughed All Night. Then She Ghosted You. Here's Why."

Dinner ran three hours. She laughed at everything. You walked her to her car thinking this one's locked in.

Then: nothing. Two texts. No reply. What happened?

You did what most men do on a great date. You filled every silence, answered every question, and left her with nothing to wonder about. No mystery. Nothing to sit with when she got home.

Rule 3 of the "22 Rules" changes the ending: tell her a little, hold back the rest, and let her imagination do the chasing. The ghosting stops too.

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CableLight

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MVP - No, trust me, I understand what he set out to do. Satan, however, is not the protagonist. There is no overall hero of this story.

You may be right, however, that I'm looking at it from a modern of a perspective. Even if this is true and I acknowledge it, I don't think I'll like the book any more than I do. :eek:
 
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