"The Coffee Shop Girl You Never Spoke To"

You've replayed it a hundred times. She stood three feet away, scrolling her phone. You had an opening. You composed the perfect line — after she was gone.

For all you know, she's married now. To some guy who said something. Anything.

Openers are cheap. Almost any sentence works when it's delivered within three seconds. The expensive part is the standing there, drafting and deleting, while the window quietly closes.

The "22 Rules" stripped out my hesitation. What to open with, how to keep it alive, and the one habit that costs guys more women than anything else: waiting for perfect.

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Do You Have Go To Moves? Do You Play to Your Strengths? Or Are You Always Reinventing

Young Juan

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?

I ask this because from what I see, all of the most succesful guys I've met basically have a concrete repertoire of moves they use consistently, and live and die by them. A lot of the unsuccesful guys I see are trying new things every time, not perfecting everything and have a bunch of sub-par moves they haven't really perfected, either from not enough repetition/practice or not enough attempts with the same move (basically failing at first and not giving it a chance to succeed.)

I'd like to know if you consider yourself successful or not, and in which of these categories you fit in.
 

“The 22 Rules That Flip the Script With Women… And How You Can Use Them Tonight”

Most guys accidentally kill attraction before they even speak. They assume they need a bigger bank account, a better physique, or smoother lines. They miss the point.

Female desire operates on a specific set of psychological triggers.  Break them, and you're invisible. Follow them, and you become magnetic.

I learned this the hard way. Years of freezing up. Getting friend-zoned. Watching other guys walk away with the girl I wanted. Then I discovered a set of 22 simple rules that rewired my entire approach.

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Purefilth

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Purefilth's 'go to moves'.

Smile

Wink

Give me your number.

Kiss close.

Take hand an lead off.

^^These are the only things I do consistently. Not all at the same time (well sometimes), but I'm not sure thats what you're asking.

What do you mean by 'moves'?
 

ben489

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I have one or two "goto" approaches. It's more natural things to me than anything scripted, I like high fives or to spin a girl round and get closer to her. This works for me a lot of the time, eye contact and then approach, the rest is natural. I am starting to experiment with a few more openers because I think the key is to be dynamic and adapt to the scenario, what works in a club or with a certain type of girl probably won't work during the day..
 

Packers2010

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i went to the movies once with the girl i was seeing at the time..

was ok. went to have dinner then a movie. made out a little during too.

came home and had a good ****..

was epic!

i would leave dinner and a move to when you know the girl WELL. say 5th date. or so. i like it keep it light and simple.
 

Young Juan

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When I say go to moves, I mean openers, first dates, from the front door to the bedroom, etc.

Go to first date is bring her to my place, cook garlic butter shrimp, veggies, and pasta. Bottle of Moscato and a redbox. Either funny or scary. Typically scary, since they either hug up or get bored. Kino with either hand on the thigh or arm around the shoulder. Make some cheesy comment, eye contact, go in for the makeout. Hands through the hair and on the scalp during makeout. Work the neck. Get a shirt off, lead to the bedroom. Sit her on bed, whip out ****, insert to mouth. Bang.
 

"She Made Her Decision Before You Finished Your Sentence"

Three seconds. That's how long it took. Your shoes. Your posture. The way you held your drink. Whether you looked at the floor or looked at her.

She already filed you away. Interesting. Boring. Safe. Bold. Before you even opened your mouth.

Everything you say after that is just her confirming what she already decided.

So stop rehearsing lines. Fix the first three seconds. Stand tall. Look up. Smile like you mean it. Walk like you belong wherever you're standing.

The words come later. The impression comes first.

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