I think it's cos C&F is not something that can be well analysed, you gotta find the FEEL of it.
I agree with this. And the line is gonna differ depending on the girl to some extent. I think the two keys (aside from the obvious, like not over doing it) are:
1) Learning to gauge her reaction, and regroup when you think you may have stepped over the line or are tap dancing on it. It's usually not a big deal if you do, just pull back and recalibrate.
2) Mix it in with real, normal conversation. Think of it like an oreo cookie.. c/f is the cookie ends, and normal every day conversation is the filling. No one wants to eat filling all the time-that's boring. But they don't want to eat just the ends either (i.e. non stop c/f)
C/F should spice up the conversation or your story telling. Sprinkle it here and there, but there should be way more depth to you than just being c/f.
The thing with C&F is that it's supposed to put the b!tch back in her place.
Nah, not really. Negs and push/pull are more for that. C/F is about being confident and amusing at the same time, just like the phrase implies.