Plec07
Senior Don Juan
Keep it to the point, don't keep on trying to convince her. State your side and then be unaffected by her decision of who to listen to.
You paid for dinner. You drove. You said "whatever you want is fine" every single time. All the effort, no expectations.
And she left anyway — probably for a guy who makes her pick up the pizza.
Painful. Also predictable. Her mind quietly concludes that anything requiring zero effort from her is worth exactly zero. You became a free sample, and free samples get taken for granted.
The 22 Rules flip the dynamic. Small shifts that get her investing effort, money, and time in you — until SHE'S the one afraid of losing YOU.
Dinner ran three hours. She laughed at everything. You walked her to her car thinking this one's locked in.
Then: nothing. Two texts. No reply. What happened?
You did what most men do on a great date. You filled every silence, answered every question, and left her with nothing to wonder about. No mystery. Nothing to sit with when she got home.
Rule 3 of the "22 Rules" changes the ending: tell her a little, hold back the rest, and let her imagination do the chasing. The ghosting stops too.
plec rightly put about going overboard. Simply state it once , repeating cetain points for a mere emphasis at max. Dont be affected by the outcome.Plec07 said:Keep it to the point, don't keep on trying to convince her. State your side and then be unaffected by her decision of who to listen to.
So My monologue would probably be something like this, and I would state it once and only once with some emphasis?SIDEBOARD said:"Alright I'm gonna explain my side of the story, it's your choice to believe it or not, all I'm asking you is, are you willing to listen?"
"Monday morning when I entered school, I had a smile like the greatest thing happened to me, of course my buds were interested and asked so I told them the about the concert, I was happy cause you came with me,and I counted that as the score, now our common friend knew all about what happened with me holding your bag from your bro, so he joked about that and I even asked if holding your bag and buying you Iced tea was right, also I told them about the times I dragged you to the front rows of the pit. I don't know who you got the story that I was counting the bag thing as a score, I don't know who told you that me leading you deeper into the pit was me trying to molest you, and frankly I don't care. Now thats my side of the story so once again, it's your choice to believe it or not"
*walks away*
You've replayed it a hundred times. She stood three feet away, scrolling her phone. You had an opening. You composed the perfect line — after she was gone.
For all you know, she's married now. To some guy who said something. Anything.
Openers are cheap. Almost any sentence works when it's delivered within three seconds. The expensive part is the standing there, drafting and deleting, while the window quietly closes.
The "22 Rules" stripped out my hesitation. What to open with, how to keep it alive, and the one habit that costs guys more women than anything else: waiting for perfect.
Writing some long-ass response to her drama.SIDEBOARD said:Could you give an example of being overboard?