"You Can't Argue a Woman Into Liking You"

You made your case like a lawyer. Stable job. Good guy. Ready for something real. All true. All irrelevant.

She weighed your points, nodded along, felt nothing — then fell hard for some tattooed bartender with a motorcycle and a gambling problem.

Logic is where attraction goes to die. The "22 Rules" work a level deeper, on the subconscious switches that decide within minutes whether you register as a MAN or as part of the furniture.

Stop presenting evidence. Start flipping switches.

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What are your favorite guitar solos?

"I'm Not Looking for Anything Serious Right Now"

When a woman says it, guys hear a confession. A heads-up. A scheduling conflict.

Here's the translation: I don't feel anything. Right now. With you.

Watch what happens when a man triggers actual attraction. The busy career, the recent breakup, the "not in a place to date" — all of it evaporates instantly. The same woman who was guarding her freedom is suddenly free every night.

The "22 Rules" explain why. When the right switches flip, her timeline rearranges itself around you.

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R

Ripper

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wootapotky said:
Hendrix-Izabella (woodstock version)
Hendrix-Machine Gun
Hendrix-Little Wing
Hendrix-Woodstock Improvisation (although it's really an instrumental)
Hendrix-The Stars That Play with Laughing Sam's Dice
Hendrix-Red House
Hendrix-Hear My Train a comin' (both acoustic and electric)
Cream-Tales of Brave Ulysses
Cream-White Room
Cream-Born Under a Bad Sign
Cream-Deserted Cities of the Heart
Allman Brothers-Don't Want You No More/It's Not My Cross to Bear
Allman Brothers-Blue Sky
Allman Brothers-In Memory of Elizabeth Reed
Clapton-Old Love (Acoustic Version)
Derek and the Dominos-Have You Ever Loved a Woman?
Derek and the Dominos-Why Does Love Got to be So Sad?
Derek and the Dominos-Layla
Roy Buchanan-Sweet Dreams (and a lot of his other stuff, but I don't know the names)
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Ain't that the truth. :up:
 
B

Bonhomme

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I like the ones that get to the point, and don't overstay their welcome. A few that come to mind are:

Roger MCGuinn (Byrds): "Eight Miles High," and especially "Thoughts and Words" (most frighteningly intense backwards guitar solo I've ever heard)
Dave Davies (Kinks): "I Need You," "Til The End of the Day"
Pete Townshend (Who): "Our Love Was," "Young Man Blues" (London Coliseum, 1969 version on The Kids Are Alright film)
Dave Gregory (XTC): "Ball and Chain" (actually an ensemble w/Andy Partridge, most likely).
Roy Wood (Move): "The Last Thing On My Mind" (brilliant overbubbed ensemble)
Richard Thompson (Fairport Convention): "Poor Will and the Jolly Hangman"
Robert Fripp (w/ Bowie): "Heroes" (w/King Crimson): "Starless" (both nothing in terms of notes, but devastating in terms of musical sense) (w/King Crimson):"Epitaph"
Martin Barre (Jethro Tull): "Aqualung," "With You There To Help Me".

And yeah, Hendrix and Clapton (early on) knew how to jam without too often falling into drawn-out ass-wanking.
 

"So, What Do You Do for Fun?"

She asks it casually, mid-sip. And you feel the floor open up, because the honest answer is work, gym, and a couple shows you're half-watching.

Women rarely say this out loud, but a man with a life is attractive before he says a word. The guy who spent Saturday deep-sea fishing and came back with photos and a story — he walks in already interesting.

The "22 Rules" pushed me to build a life worth talking about. Turns out the fastest way to be interesting to women is to be interested in your own life first.

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Colin O'Brien

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Joe Pass- Joy Spring
Kurt Rosenwinkel- Zhaivago
Wes Montgomery- West Coast Blues

Jazz guitar > women
 
H

Harmonix

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***tornado Of Souls By Megadeth!!!! The Solo Is A Work Of Art!***
 
B

Bonhomme

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A few more that come to mind:

Will Sergeant (Echo & the Bunnymen): "My Kingdom," "The Killing Moon"
Emma Anderson (w/Lush): "Kiss Chase," (w/ Sing-Sing): "Tegan"
Justin Clayton: "Miles Away"
George Harrison: "Something"
James Williamson (Stooges): "Search and Destroy"
 

"Why Women Dump the Guys Who Try the Hardest"

You paid for dinner. You drove. You said "whatever you want is fine" every single time. All the effort, no expectations.

And she left anyway — probably for a guy who makes her pick up the pizza.

Painful. Also predictable. Her mind quietly concludes that anything requiring zero effort from her is worth exactly zero. You became a free sample, and free samples get taken for granted.

The 22 Rules flip the dynamic. Small shifts that get her investing effort, money, and time in you — until SHE'S the one afraid of losing YOU.

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22 Rules for Massive Success With Women
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