"I just moved here from Florida."

That sentence contains at least five follow-up questions she WANTS you to ask. Where in Florida? What brought you here? How long have you been in the area? What do you miss? How does it compare to here?

She handed them to you on a silver platter. And you said, "Oh cool. I come here every week. I love this band. Ummm... pretty crowded tonight."

She smiled politely. Nodded. And never texted you back.

I was that guy for years. Talking too much. Listening too little. Panicking about my next sentence while she was literally feeding me the answers.

Then I found 22 rules that fixed the whole thing. Rule number one: shut up and listen. She'll tell you exactly what to say.

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The one film that exemplifies what we do on here?

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eli77

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The matrix
Fight club perhaps?
I would also say vanilla sky that film brought me down to earth.
 

"You'll Never Feel READY to Walk Over"

Next Monday you'll feel more confident. After the gym you'll feel more confident. After one more drink you'll feel more confident. After you get a better haircut, a better jacket, a better job.

You've been "getting ready" for two years.

She's standing ten feet away right now. She'll be gone in four minutes. No amount of preparation will manufacture the courage that only comes from moving your feet.

Walk over. Stumble through the first sentence. Let it be clumsy. Let it be imperfect. You will feel more alive in those ten seconds than you have all month.

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eli77

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AmsterdamAssassin said:
TAXI DRIVER AND THE RAGE OF THE INCEL by Stanley Yang.

Travis Bickle makes the shape of a gun with his bloody hand, puts his finger to his head, and pulls the trigger. His face is not contorted but relaxed, as if he has achieved a kind of release, something close to an orgasm (01:42:47-01:43:11). Having just murdered three men in a brothel, Travis seems to have purged himself of an obsession—but what has he been released from? Martin Scorsese’s 1976 psychological thriller Taxi Driver, which climaxes with this scene, portrays the tragedy of an alienated man, a veteran who has been rejected by a woman and lives alone in a bleak and heedless New York City. In today’s America, though, both the alienated man and the culture that oppresses him and fuels his rage have taken on new forms and meanings, some of them more frightening and dangerous than before.
READ MORE: https://wp.nyu.edu/mercerstreet/2022-2023/taxi-driver-and-the-rage-of-the-incel/
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Amazing
 

"She Laughed All Night. Then She Ghosted You. Here's Why."

Dinner ran three hours. She laughed at everything. You walked her to her car thinking this one's locked in.

Then: nothing. Two texts. No reply. What happened?

You did what most men do on a great date. You filled every silence, answered every question, and left her with nothing to wonder about. No mystery. Nothing to sit with when she got home.

Rule 3 of the "22 Rules" changes the ending: tell her a little, hold back the rest, and let her imagination do the chasing. The ghosting stops too.

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eli77

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AmsterdamAssassin said:
TAXI DRIVER AND THE RAGE OF THE INCEL by Stanley Yang.

Travis Bickle makes the shape of a gun with his bloody hand, puts his finger to his head, and pulls the trigger. His face is not contorted but relaxed, as if he has achieved a kind of release, something close to an orgasm (01:42:47-01:43:11). Having just murdered three men in a brothel, Travis seems to have purged himself of an obsession—but what has he been released from? Martin Scorsese’s 1976 psychological thriller Taxi Driver, which climaxes with this scene, portrays the tragedy of an alienated man, a veteran who has been rejected by a woman and lives alone in a bleak and heedless New York City. In today’s America, though, both the alienated man and the culture that oppresses him and fuels his rage have taken on new forms and meanings, some of them more frightening and dangerous than before.
READ MORE: https://wp.nyu.edu/mercerstreet/2022-2023/taxi-driver-and-the-rage-of-the-incel/
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Did you like the ending?
 
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