"Why Women Dump the Guys Who Try the Hardest"

You paid for dinner. You drove. You said "whatever you want is fine" every single time. All the effort, no expectations.

And she left anyway — probably for a guy who makes her pick up the pizza.

Painful. Also predictable. Her mind quietly concludes that anything requiring zero effort from her is worth exactly zero. You became a free sample, and free samples get taken for granted.

The 22 Rules flip the dynamic. Small shifts that get her investing effort, money, and time in you — until SHE'S the one afraid of losing YOU.

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The one film that exemplifies what we do on here?

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eli77

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The matrix
Fight club perhaps?
I would also say vanilla sky that film brought me down to earth.
 

"Why Women Dump the Guys Who Try the Hardest"

You paid for dinner. You drove. You said "whatever you want is fine" every single time. All the effort, no expectations.

And she left anyway — probably for a guy who makes her pick up the pizza.

Painful. Also predictable. Her mind quietly concludes that anything requiring zero effort from her is worth exactly zero. You became a free sample, and free samples get taken for granted.

The 22 Rules flip the dynamic. Small shifts that get her investing effort, money, and time in you — until SHE'S the one afraid of losing YOU.

Read more...

E

eli77

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AmsterdamAssassin said:
TAXI DRIVER AND THE RAGE OF THE INCEL by Stanley Yang.

Travis Bickle makes the shape of a gun with his bloody hand, puts his finger to his head, and pulls the trigger. His face is not contorted but relaxed, as if he has achieved a kind of release, something close to an orgasm (01:42:47-01:43:11). Having just murdered three men in a brothel, Travis seems to have purged himself of an obsession—but what has he been released from? Martin Scorsese’s 1976 psychological thriller Taxi Driver, which climaxes with this scene, portrays the tragedy of an alienated man, a veteran who has been rejected by a woman and lives alone in a bleak and heedless New York City. In today’s America, though, both the alienated man and the culture that oppresses him and fuels his rage have taken on new forms and meanings, some of them more frightening and dangerous than before.
READ MORE: https://wp.nyu.edu/mercerstreet/2022-2023/taxi-driver-and-the-rage-of-the-incel/
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Amazing
 

"She Made Her Decision Before You Finished Your Sentence"

Three seconds. That's how long it took. Your shoes. Your posture. The way you held your drink. Whether you looked at the floor or looked at her.

She already filed you away. Interesting. Boring. Safe. Bold. Before you even opened your mouth.

Everything you say after that is just her confirming what she already decided.

So stop rehearsing lines. Fix the first three seconds. Stand tall. Look up. Smile like you mean it. Walk like you belong wherever you're standing.

The words come later. The impression comes first.

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eli77

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AmsterdamAssassin said:
TAXI DRIVER AND THE RAGE OF THE INCEL by Stanley Yang.

Travis Bickle makes the shape of a gun with his bloody hand, puts his finger to his head, and pulls the trigger. His face is not contorted but relaxed, as if he has achieved a kind of release, something close to an orgasm (01:42:47-01:43:11). Having just murdered three men in a brothel, Travis seems to have purged himself of an obsession—but what has he been released from? Martin Scorsese’s 1976 psychological thriller Taxi Driver, which climaxes with this scene, portrays the tragedy of an alienated man, a veteran who has been rejected by a woman and lives alone in a bleak and heedless New York City. In today’s America, though, both the alienated man and the culture that oppresses him and fuels his rage have taken on new forms and meanings, some of them more frightening and dangerous than before.
READ MORE: https://wp.nyu.edu/mercerstreet/2022-2023/taxi-driver-and-the-rage-of-the-incel/
Click to expand...
Did you like the ending?
 
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22 Rules for Massive Success With Women
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