Most guys here have a pretty good idea of the ****y and funny thing because it just plains WORKS. Actually, I like to call the "funny" mode "wacky" because that's how it works for me.
Its not enough to be "funny"....as in telling a good story, joke, and effective neg-hits, because any chimp can figure out how to deliver a funny line.
The real trick is to use your creative intelligence in THAT situation (relevant to her and your circumstances at the time).
The other trick is to not cross over into "weird" territory with the wackiness.
Good Wackiness should not only demonstrate your ****iness, but also your perceptive intelligence: Its the core of being witty.
Example: You're talking with a girl at a mall and that elevator music is being piped in in the background. You say:
"So, is Hootie technically a blowfish"?
She gives you the strange look. And so you repeat yourself.
"Is Hootie technically a blowfish"?
Then you point toward the ceiling and explain: "You know, the elevator junk is haunting my subconscious. Since they're playing Hootie on there, I figured I'd ask the first person this nagging question"....
Now...if you had said something like that WITHOUT the overhead music, it would be WEIRD. Unrelevant. Unspontaneous.
If you're still not sure, watch "the OFFICE" on NBC.
Jim Halpert (John Krasinski) has this thing down. He's lowkey, ****y, funny, relevant, and never weird. This kind of intelligence re assures women and makes them comfortable around you.
DWIGHT (Rain Wilson) on the other hand is always weird.
But he's also FUNNIER than Halpert. But it doesnt work romantically.
He doesnt know how to be ****y, funny, and wacky without the weird.
Its not enough to be "funny"....as in telling a good story, joke, and effective neg-hits, because any chimp can figure out how to deliver a funny line.
The real trick is to use your creative intelligence in THAT situation (relevant to her and your circumstances at the time).
The other trick is to not cross over into "weird" territory with the wackiness.
Good Wackiness should not only demonstrate your ****iness, but also your perceptive intelligence: Its the core of being witty.
Example: You're talking with a girl at a mall and that elevator music is being piped in in the background. You say:
"So, is Hootie technically a blowfish"?
She gives you the strange look. And so you repeat yourself.
"Is Hootie technically a blowfish"?
Then you point toward the ceiling and explain: "You know, the elevator junk is haunting my subconscious. Since they're playing Hootie on there, I figured I'd ask the first person this nagging question"....
Now...if you had said something like that WITHOUT the overhead music, it would be WEIRD. Unrelevant. Unspontaneous.
If you're still not sure, watch "the OFFICE" on NBC.
Jim Halpert (John Krasinski) has this thing down. He's lowkey, ****y, funny, relevant, and never weird. This kind of intelligence re assures women and makes them comfortable around you.
DWIGHT (Rain Wilson) on the other hand is always weird.
But he's also FUNNIER than Halpert. But it doesnt work romantically.
He doesnt know how to be ****y, funny, and wacky without the weird.