Attraction runs on a clock.
She flirted for weeks. Touched your arm. Found reasons to be alone with you. And you were careful. Respectful. Waiting for the right moment.
The moment had a shelf life. It expired around month two, and by the time you asked her out, she'd quietly filed you under "little brother."
One of the hardest lessons inside the 22 Rules: women rarely wait. Interest either grows or it decays, and nothing decays it faster than a man who never moves.
Make the move while she's still inventing reasons to be near you.
You made your case like a lawyer. Stable job. Good guy. Ready for something real. All true. All irrelevant.
She weighed your points, nodded along, felt nothing — then fell hard for some tattooed bartender with a motorcycle and a gambling problem.
Logic is where attraction goes to die. The "22 Rules" work a level deeper, on the subconscious switches that decide within minutes whether you register as a MAN or as part of the furniture.
Stop presenting evidence. Start flipping switches.
I know! She said that Dagny was the literary character that she could most relate to. They're also talking to Russell Crowe to play the part of Hank Rearden and may even work in a bit part for Patricia Neal!LovelyLady said:Hey Francisco-
Did you hear they are making a movie out of it?
Guess who is playing Dagny? ANGELINA JOLIE
I could talk to any woman I wasn't attracted to. Charming, funny, relaxed. Then a gorgeous woman looked my way and I'd become a sweating, babbling mess.
The fix took me years to find and ten minutes to learn. Nervousness and excitement are the same physical state — pounding heart, adrenaline, flushed face. Your brain just picks the label. And you can pick a better one.
Rule 16 shows you how. You feel the nerves, relabel them as excitement, and let that energy pour out as enthusiasm. Women notice the guy radiating it. They always do.
So what are you waiting for man?!! It's withing arms reach! Jump to it! :woo:reset said:I'm staring at about four Ayn Rand books right now. I read Fountain head several years ago, before I was in this DJ menatality. Atlas Shrugged, I havent' read it. They are so LONG, lol.
The movie didn't do the book any justice but Atlas, that's going to be another thing altogether. Originally it was going to be a trilogy with each movie being three hours in length!reset said:I remember the Fountainhead movie with Gary Cooper, which I watched after reading the book. Crazy that they would try to make a movie from something so intense back then. I bet the current versions of the films will be much more gritty and true to the books.
That sentence contains at least five follow-up questions she WANTS you to ask. Where in Florida? What brought you here? How long have you been in the area? What do you miss? How does it compare to here?
She handed them to you on a silver platter. And you said, "Oh cool. I come here every week. I love this band. Ummm... pretty crowded tonight."
She smiled politely. Nodded. And never texted you back.
I was that guy for years. Talking too much. Listening too little. Panicking about my next sentence while she was literally feeding me the answers.
Then I found 22 rules that fixed the whole thing. Rule number one: shut up and listen. She'll tell you exactly what to say.
Jolie will be played down aesthetically. They're going make her one of those closet beauties who could be very attractive if she took a little time to make herself up. Her (lack of) acting ability will lend itself to Dagny's "cut to the chase" nature. The script will need to carry her with her interactions with Hank before she finds the gulch and with John after. The thing that I'm afraid of is a eerie feeling I have of them casting Antonio Banderas in a role. :nervous:LovelyLady said:I will be surprised if Jolie can pull off the sense of strength/intelligence/character that Dagny has though.
IMO, she has not had to play a multi-dimensional character since Girl Interrupted. She can do sexy - but can she pull off the depth of the character beyond the surface beauty? Swank could.
Also, Dagny was not found attractive by EVERY man - many characters found her sexually cold/undesirable. But I do understand the need for the film - for the viewers, en masse - to find her physically appealing.
I hope the film/Jolie's performance captures the more important characteristics of Dagny's - the underlying qualities that drove those particular men -and Galt specifically- to want to her.
I think Jolie's outer beauty could be a disservice to that aspect of Rand's creation. It will be interesting to see!
Oh, I see. It could work, then.Francisco d'Anconia said:Jolie will be played down aesthetically. They're going make her one of those closet beauties who could be very attractive if she took a little time to make herself up. Her (lack of) acting ability will lend itself to Dagny's "cut to the chase" nature. The script will need to carry her with her interactions with Hank before she finds the gulch and with John after.
Francisco d'Anconia said:The thing that I'm afraid of is a eerie feeling I have of them casting Antonio Banderas in a role. :nervous:
You can skip the expensive cars, the fancy clothes, and the endless gym selfies. Completely unnecessary.
I used to freeze the second a beautiful woman looked my way. Frustrated. Awkward. Watching other guys walk away with the girl while I stood there tongue-tied.
Then I discovered 22 simple rules that rewired my entire dating life. The anxiety vanished. Conversations flowed effortlessly. Women started chasing me for a change.
These rules trigger a woman's subconscious attraction switches. And you can start using them tonight.
Francisco d'Anconia said:Not everyone can understand the concept, at least understand it enough to appreciate it.
Dinner ran three hours. She laughed at everything. You walked her to her car thinking this one's locked in.
Then: nothing. Two texts. No reply. What happened?
You did what most men do on a great date. You filled every silence, answered every question, and left her with nothing to wonder about. No mystery. Nothing to sit with when she got home.
Rule 3 of the "22 Rules" changes the ending: tell her a little, hold back the rest, and let her imagination do the chasing. The ghosting stops too.