"You Can't Argue a Woman Into Liking You"

You made your case like a lawyer. Stable job. Good guy. Ready for something real. All true. All irrelevant.

She weighed your points, nodded along, felt nothing — then fell hard for some tattooed bartender with a motorcycle and a gambling problem.

Logic is where attraction goes to die. The "22 Rules" work a level deeper, on the subconscious switches that decide within minutes whether you register as a MAN or as part of the furniture.

Stop presenting evidence. Start flipping switches.

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Kino

loveshogun

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Hey all.

So kino has been a long standby in our technical repertoire for obvious reasons.

In order for a girl to make a connection sexually, she has to receive the connection physically.

This, I can accept.

However, as of late, I've been seeing a huge gung-ho mentality on kino being the magic key to "escalating." In my view, telling that to someone new will cause him to go out and just be touching up on girls all the time, any time, without regard to whether the girl wanted the touch in the first place.

Granted, that might work on some girls, somehow. Statistically, it's possible. Just like how some people win the Powerball.

But the way I've been taught to view kino was as a single headshot from a sniper scope. It's precise. It is the embodiment of the hunter's killer intent. Most of all, it is fleeting and scarce.

This doesn't mean NOT touching her. Of course I have to touch her.

But for me, it DOES mean not touching her all the time. Because she should yearn for the touch, she should beg for the touch.

I think a big part of this is from my training in Latin dance, and understanding that touching all the time, like being available all the time, lowers the value of the touch. Latin dance is all about fleeting moments of push and pull, the uncertainty of the man's return, the chase.

Damn I just made myself horny.

Anyway, discuss kino. More or less?
 

"The Coffee Shop Girl You Never Spoke To"

You've replayed it a hundred times. She stood three feet away, scrolling her phone. You had an opening. You composed the perfect line — after she was gone.

For all you know, she's married now. To some guy who said something. Anything.

Openers are cheap. Almost any sentence works when it's delivered within three seconds. The expensive part is the standing there, drafting and deleting, while the window quietly closes.

The "22 Rules" stripped out my hesitation. What to open with, how to keep it alive, and the one habit that costs guys more women than anything else: waiting for perfect.

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PapiChulo

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It's actually pretty good stuff, it shows that you are confident and know what you are doing. You could make her wet with one touch, then props to you.


On the other hand, it may come in as a bit overwhelming to some women, simply because they don't get enough kino at first.

The idea is to make her comfortable- then, sexually aroused.


So, I think that the answer is somewhere in between the two - the smoothness, the elegance are what makes this a seduction weapon.
 

moneyisking

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from my 2-3 yrs of pursuit in this, the only thing i can say is just b/c you think "oh sh!t, i got to kino this girl", it doesn't work that way. you feel awkward. you got to feel like you're sexy beast, confident, a man. but this is REALLY hard. becoming a state that you are not is incredibly hard to transit. I done this by riding motorcycle. thats how i became someone that i always desired; unique, hot, risk-taking, confident, bad-a$$. how would you achieve yours?
 

PapiChulo

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^^^^^easier there, you are not trying to kino yourself Mr. Sexy.

Then, confidence is the foundation of pretty much anything we read on here. It's a given.
 

loveshogun

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So, as I said before, we can all pretty much agree that kino is something that must be used sparingly and effectively when the targets arise.

And we can all agree that Kino isn't like a shoving dollar bills into a vending machine, where the act of simply paying money (kino) will get you candy (p*ssy).

Like I said, it's more like hunting. If you're constantly firing your guns at everything you can see, no deer will come within 2 miles of you. You've gotta be patient and observant, looking for that opportunity to strike, and then striking with precision.

For illustrative purposes, here are things that girls have done to let me know that they're open to kino:

1) Talking directly into my ear
2) Standing closer than 2 ft when there's plenty of room at the bar/in the room/etc
3) Grabbing my arm/pulling me around

Honestly, these are the easy indicators - but nonetheless they're invitations to escalate, and I feel that most new guys are lost on the idea of the invitation before the escalation.

When it comes to kino as part of an approach, I feel like most new guys are trying to learn cold approaches with little or no invitation before they learn to observe and read women.

I look for these opportunities, and then strike.

The flip side is tougher, where a girl isn't necessarily showing obvious signs of openness.

This is when a guy should test the water - initiating touch like a cold approach - but the key objective must be to gauge her reaction, see whether she WANTED it. If she responds positively, escalate - if not try again once or twice, and if nothing happens, I'd say nothing is going to come out of extra kino to without a whole lot of extra luck.

Other thoughts?
 

"I'm Not Looking for Anything Serious Right Now"

When a woman says it, guys hear a confession. A heads-up. A scheduling conflict.

Here's the translation: I don't feel anything. Right now. With you.

Watch what happens when a man triggers actual attraction. The busy career, the recent breakup, the "not in a place to date" — all of it evaporates instantly. The same woman who was guarding her freedom is suddenly free every night.

The "22 Rules" explain why. When the right switches flip, her timeline rearranges itself around you.

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