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Kino while dancing

Blackstaff

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I've been taking salsa classes for two weeks, and I wonder how you kino while dancing other than just holding hands or the dance moves ? Any experiences and tips are welcome in this thread.
 

If you currently have too many women chasing you, calling you, harassing you, knocking on your door at 2 o'clock in the morning... then I have the simple solution for you.

Just read my free ebook 22 Rules for Massive Success With Women and do the opposite of what I recommend.

This will quickly drive all women away from you.

And you will be able to relax and to live your life in peace and quiet.

Le Parisien

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Being a beginner level salsa dancer myself, I'd say that don't worry about kino yet when you are not at least an intermediate level dancer.

In the salsa context, it's supposed to be sensual, not sexual, it's NOT grinding ok?:eek:

Kino is all about subtlety in this context. The girl should not be able to tell whether the kino is a necessary part of the dance moves or your attempt to arouse her, or both...
I don't know if you get what I mean...:D

To be simple, just watch how the salsa masters are making girls hot just by dancing with them and learn!

Oh, one last thing: don't forget the eye contact, that's powerful mental kino!
 

Blackstaff

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Yeah, as it's indicated in this forum countless times before, our kino should not be understood as an effort of neediness or anxiety by her while in dancing too. But for instance, while starting to dance or on a high point during the dance, I slowly stroke the inside of her palm or fingers, try to use little brushes to her back/shoulder as the moves pass by.

Any other ideas/experiences ?
 

ethnomethodologist

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-The are the elements of kino-
Sight
Sound
Smell
Touch
Taste

-These are the inferences of kino-
method
structure
comfort
connections
motive

-The outcome of kino-
Conformity
Congruity
Harmony
Approval

-The goals of kino-
Stimulate
Encourage
Challenge
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
That is my system of identifying kino. I started my system when I joined this site. I stumbled across body language discussion and started small research into the purpose and never pursued the matter... I am not a dancer, but I want to be.

I am now intrigued by the notion again, and am compelled by my recent research abstracts into this area of study:p

Mental Kino, MAVEC is going to be an extreme part of dancing and conveying sexual attitudes.

As not even a beginner dancer I can't really HELP you decide what kino to do... everything I say from here on out is KBJ business. It is only KBJ because I have zero fundamental experience in the subject. I have impatient, anxious, excited, and DrUnK experience, but nothing that relates to patience and research.

*Key board jockeying in progress*
tuck your head into her neck
while in the vacinity of her ear, take a whiff
pull her hand to your mouth
lightly squeeze her hand(congruity test?)
lightly squeeze her back when guiding her
whisper a situational joke in her ear
blow on her ear

I'm guessing that dancing brings out so many opportunities for kino, that it is the kino pratice ground. It is the safe haven of kino. It will also be a trial and error grounds for any problems that arise, ie she will stop dancing with you or her 'tells' will be immediately known that your actions and movements are off key.

Wow, Monday I join dance class:D:D :cheer: :woo:
 

wheelin&dealin

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Women love it when you have your way with them. Do whatever you want to them... grab them alittle too hard, hold them alittle too close.. It will excite the hell out of them.
 

Just because a woman listens to you and acts interested in what you say doesn't mean she really is. She might just be acting polite, while silently wishing that the date would hurry up and end, or that you would go away... and never come back.

Quote taken from The SoSuave Guide to Women and Dating, which you can read for FREE.

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