-The are the elements of kino-
Sight
Sound
Smell
Touch
Taste
-These are the inferences of kino-
method
structure
comfort
connections
motive
-The outcome of kino-
Conformity
Congruity
Harmony
Approval
-The goals of kino-
Stimulate
Encourage
Challenge
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That is my system of identifying kino. I started my system when I joined this site. I stumbled across body language discussion and started small research into the purpose and never pursued the matter... I am not a dancer, but I want to be.
I am now intrigued by the notion again, and am compelled by my recent research abstracts into this area of study
Mental Kino, MAVEC is going to be an extreme part of dancing and conveying sexual attitudes.
As not even a beginner dancer I can't really HELP you decide what kino to do... everything I say from here on out is KBJ business. It is only KBJ because I have zero fundamental experience in the subject. I have impatient, anxious, excited, and DrUnK experience, but nothing that relates to patience and research.
*Key board jockeying in progress*
tuck your head into her neck
while in the vacinity of her ear, take a whiff
pull her hand to your mouth
lightly squeeze her hand(congruity test?)
lightly squeeze her back when guiding her
whisper a situational joke in her ear
blow on her ear
I'm guessing that dancing brings out so many opportunities for kino, that it is the kino pratice ground. It is the safe haven of kino. It will also be a trial and error grounds for any problems that arise, ie she will stop dancing with you or her 'tells' will be immediately known that your actions and movements are off key.
Wow, Monday I join dance class


:cheer: :woo: