legolas
Master Don Juan
Sure looks like she wanted to F*CK you!!! LOL
She says the movie looks dumb; you suddenly agree. She tests you with a little attitude; you apologize for nothing.
You think you're being easy to get along with. She reads something else entirely: a man with no edges. Nothing to hold on to. No friction, no tension, no reason to wonder what he really thinks.
The "22 Rules" taught me to push back — playfully, calmly, without needing her approval. Strange things happened after that.
Attraction runs on a clock.
She flirted for weeks. Touched your arm. Found reasons to be alone with you. And you were careful. Respectful. Waiting for the right moment.
The moment had a shelf life. It expired around month two, and by the time you asked her out, she'd quietly filed you under "little brother."
One of the hardest lessons inside the 22 Rules: women rarely wait. Interest either grows or it decays, and nothing decays it faster than a man who never moves.
Make the move while she's still inventing reasons to be near you.
Drum&Bass said:you failed when you told her she needed a sense of humor.
Drum&Bass said:your game was good at the beginning but the true AFC came out at the end..
I think you might be wrong.edger said:See this is what I mean about the seduction community getting too big. It's possible she's hip to the community, but I could be wrong.
That line is gold Kontroller gold!! edger needed to have used that line or something comical.KontrollerX said:You should of leaned in really close and said to her "If I want to fvck you, you will know".
Oh absolutely. That's why I said lean more towards her having asked me(if I wanted to f*ck her) to float her ego(attention wh*ring). I lean more towards "attention wh*re" because she smiled as she walked off, as if it were some kinda joke. A chick who really wants to f*ck you, wouldn't have walked off so abruptly the way she did, looking back with a smile on her face.Bible_Belt said:Case closed - her walking off is all that mattered. The words she used are just childish foolishness and don't mean anything.
?? I was consistent the whole time I conversated with her. All I did was tell her she needed a sense of humor which, like I said, can also be interpreted as if I genuinely meant it, and not as supplication. And I did genuinely mean what I said. Read my response to Drum&Bass, I explain my point better.DJDamage said:It could have been the case that you were too slick and too C0cky at the begining and when she called you out and instead of continuing being that, you changed your method, became flustered and pretty much dropped the ball on this one.
When a woman says it, guys hear a confession. A heads-up. A scheduling conflict.
Here's the translation: I don't feel anything. Right now. With you.
Watch what happens when a man triggers actual attraction. The busy career, the recent breakup, the "not in a place to date" — all of it evaporates instantly. The same woman who was guarding her freedom is suddenly free every night.
The "22 Rules" explain why. When the right switches flip, her timeline rearranges itself around you.
Why wouldn't she?edger said:Oh absolutely. That's why I said lean more towards her having asked me(if I wanted to f*ck her) to float her ego(attention wh*ring). I lean more towards "attention wh*re" because she smiled as she walked off, as if it were some kinda joke. A chick who really wants to f*ck you, wouldn't have walked off so abruptly the wa she did, looking back with a smile on her face.
You sunk yourself right there when you laughed at her (even though jokingly).edger said:So, we bullsh*t a little, then I'm like, "Go ahead, show me what you got, dance". So she starts dancing by herself(real f*ckin' sexy too, I mean this b*tch was incredible). So jokingly, I point my finger at her while she's strutting her stuff, and start laughing, hahaha, and she gets pissed, and tells me how rude I am, lol.
... was her halo turning into horns. Payback. One wrong thing said to a women can change everything. It can be a mine field.edger said:she BLUNTLY say's, "So, you wanna f*ck me"?
She calls you when her car breaks down. When she needs help moving. When some guy she's actually dating treats her badly.
You're the listener. The reliable one. The guy who would treat her so much better, if she'd just open her eyes.
She won't. You trained her to see you as the low-effort option — the friend who requires zero risk and zero investment. Every favor dug the hole deeper.
The "22 Rules" break the pattern. You'll stop auditioning for a role she already cast and become the man she chases instead. It starts with Rule 1.
Why, is that how it seemed? That wasn't at all what I was trying to convey to her. My interaction with her was playful. I showed no signs of being annoyed, both in my gestures, facial expressions, or voice tone. Believe me, I know better than to ever show a chick I'm annoyed(big golden rule - indifference). But I can see how you think she might've taken my comment about "how she should be a comedian" might come off as me being annoyed. But like I said, that wasn't my intention at all, and I didn't even think at that point that it might come off as me being annoyed.DJDamage said:Don't let them know that you are bothered by them.
I am interested in this chick. I just wanted to finish dancing, because it was one of my favorite songs. I told her I'd catch up with her in a bit. But I guess she ended up leaving.Jitterbug said:edger, unless you have no interest in this chick and just want to blow her off, you seem to do all pushing and zero pulling.
I could talk to any woman I wasn't attracted to. Charming, funny, relaxed. Then a gorgeous woman looked my way and I'd become a sweating, babbling mess.
The fix took me years to find and ten minutes to learn. Nervousness and excitement are the same physical state — pounding heart, adrenaline, flushed face. Your brain just picks the label. And you can pick a better one.
Rule 16 shows you how. You feel the nerves, relabel them as excitement, and let that energy pour out as enthusiasm. Women notice the guy radiating it. They always do.
It was actually a combination of me trying to act aloof and wanting to dance alone. And I acted aloof because I figured it would strengthen her attraction to me. I still wasn't sure whether this chick wanted to hit the bedroom with me. I was still dwelling on what happened the weekend before. Her interest level from that night last week was questionable. It could go either way. It's one of those tough situations to be able to say for sure whether she really was interested. I'm not totally secure with myself at this point with this chick, so I figured I'd try to intensify my game a little more. But it seems this chick might not be that receptive. I don't even think I played it up bad..I did tell her I would talk to her in a bit, that I wanted to dance to the song. I mean come on, that shouldn't really bother someone that badly..and if anything, most women like a little aloofness, right?Jitterbug said:That's weird. When my favourite song comes on, I will drag the chick I'm interested in to the dance floor and dance with her. It's a perfect opportunity to share the love.
What you did is yet another push. If you want a chick to catch up with you, you need to give her a reason to.
Even if you just wanted to dance solo then, you should give her your camera and tell her to take a video or some shots of you grooving it, so that she would be right there after you're done with it.
Three seconds. That's how long it took. Your shoes. Your posture. The way you held your drink. Whether you looked at the floor or looked at her.
She already filed you away. Interesting. Boring. Safe. Bold. Before you even opened your mouth.
Everything you say after that is just her confirming what she already decided.
So stop rehearsing lines. Fix the first three seconds. Stand tall. Look up. Smile like you mean it. Walk like you belong wherever you're standing.
The words come later. The impression comes first.