The matrix reloaded NEVER HAPPENED.DavenJuan said:house of flying daggers last battle scene between the two lovers and the girl
matrix reloaded: neo fighting 1000 mr smiths in the park
Next Monday you'll feel more confident. After the gym you'll feel more confident. After one more drink you'll feel more confident. After you get a better haircut, a better jacket, a better job.
You've been "getting ready" for two years.
She's standing ten feet away right now. She'll be gone in four minutes. No amount of preparation will manufacture the courage that only comes from moving your feet.
Walk over. Stumble through the first sentence. Let it be clumsy. Let it be imperfect. You will feel more alive in those ten seconds than you have all month.
The matrix reloaded NEVER HAPPENED.DavenJuan said:house of flying daggers last battle scene between the two lovers and the girl
matrix reloaded: neo fighting 1000 mr smiths in the park
When a woman says it, guys hear a confession. A heads-up. A scheduling conflict.
Here's the translation: I don't feel anything. Right now. With you.
Watch what happens when a man triggers actual attraction. The busy career, the recent breakup, the "not in a place to date" — all of it evaporates instantly. The same woman who was guarding her freedom is suddenly free every night.
The "22 Rules" explain why. When the right switches flip, her timeline rearranges itself around you.
great scene. "The lost Battalion" was a great realistic movie.Rollo Tomassi said:The opening battle in Gladiator was pretty good from a realism sense. The problem I have with movies like LotR, Star Wars & 300 is that they're all reliant on the CG guys following how they "think" a battle should flow based on cinematic themes rather than historical accuracy. Don't get me wrong I loved all of them, but from a 'battle' perspective, the Roman Legions vs. the Germanic tribes was excellent in Gladiator.
Also, consider the battle scenes in Glory or Gettysburg. These guys did their homework. There was also a great movie called The Lost Battalion based on a true story from WWI that starred Ricky Schroder of all people. Rent it if you can find it. Very accurate, very realistic.
The first matrix movie was great, but the other two were terrible.Gubby said:The matrix reloaded NEVER HAPPENED.
She calls you when her car breaks down. When she needs help moving. When some guy she's actually dating treats her badly.
You're the listener. The reliable one. The guy who would treat her so much better, if she'd just open her eyes.
She won't. You trained her to see you as the low-effort option — the friend who requires zero risk and zero investment. Every favor dug the hole deeper.
The "22 Rules" break the pattern. You'll stop auditioning for a role she already cast and become the man she chases instead. It starts with Rule 1.
eh, it doesn't matter much to me if it's cool looking or accurate. The battle for Naboo and the battle of Geonosis were really cool looking but I don't have them here as my favorites because the movies sucked ass (IMO). Kingdom Of Heaven also had a great battle scene at the end but I had to go through an hour and a half of dragged out talking that led mostly to nowhere. The battles were good but it was almost as good as just skipping to the end. I think a great battle scene is one that compliments the movie, not one of those cases of "waiting till the end to watch 5 to 10 minutes of eye pleasure".Rollo Tomassi said:Alright, if were going by 'cool' points instead of 'realism' points, I'll have to admit the scene in Transformers where the marines are fighting that Scorpion robot was bad ass.
Also, the scene in Starship Troopers where the Bugs siege that outpost and just flood the landscape was cool too.
Exactly.comic_relief said:The first matrix movie was great, but the other two were terrible.
comic_reilef
Three seconds. That's how long it took. Your shoes. Your posture. The way you held your drink. Whether you looked at the floor or looked at her.
She already filed you away. Interesting. Boring. Safe. Bold. Before you even opened your mouth.
Everything you say after that is just her confirming what she already decided.
So stop rehearsing lines. Fix the first three seconds. Stand tall. Look up. Smile like you mean it. Walk like you belong wherever you're standing.
The words come later. The impression comes first.
Dinner ran three hours. She laughed at everything. You walked her to her car thinking this one's locked in.
Then: nothing. Two texts. No reply. What happened?
You did what most men do on a great date. You filled every silence, answered every question, and left her with nothing to wonder about. No mystery. Nothing to sit with when she got home.
Rule 3 of the "22 Rules" changes the ending: tell her a little, hold back the rest, and let her imagination do the chasing. The ghosting stops too.
problem was Gettysberg battles were dreadfully boring.Rollo Tomassi said:The opening battle in Gladiator was pretty good from a realism sense. The problem I have with movies like LotR, Star Wars & 300 is that they're all reliant on the CG guys following how they "think" a battle should flow based on cinematic themes rather than historical accuracy. Don't get me wrong I loved all of them, but from a 'battle' perspective, the Roman Legions vs. the Germanic tribes was excellent in Gladiator.
Also, consider the battle scenes in Glory or Gettysburg. These guys did their homework. There was also a great movie called The Lost Battalion based on a true story from WWI that starred Ricky Schroder of all people. Rent it if you can find it. Very accurate, very realistic.
Attraction runs on a clock.
She flirted for weeks. Touched your arm. Found reasons to be alone with you. And you were careful. Respectful. Waiting for the right moment.
The moment had a shelf life. It expired around month two, and by the time you asked her out, she'd quietly filed you under "little brother."
One of the hardest lessons inside the 22 Rules: women rarely wait. Interest either grows or it decays, and nothing decays it faster than a man who never moves.
Make the move while she's still inventing reasons to be near you.