The matrix reloaded NEVER HAPPENED.DavenJuan said:house of flying daggers last battle scene between the two lovers and the girl
matrix reloaded: neo fighting 1000 mr smiths in the park
When a woman says it, guys hear a confession. A heads-up. A scheduling conflict.
Here's the translation: I don't feel anything. Right now. With you.
Watch what happens when a man triggers actual attraction. The busy career, the recent breakup, the "not in a place to date" — all of it evaporates instantly. The same woman who was guarding her freedom is suddenly free every night.
The "22 Rules" explain why. When the right switches flip, her timeline rearranges itself around you.
The matrix reloaded NEVER HAPPENED.DavenJuan said:house of flying daggers last battle scene between the two lovers and the girl
matrix reloaded: neo fighting 1000 mr smiths in the park
You made your case like a lawyer. Stable job. Good guy. Ready for something real. All true. All irrelevant.
She weighed your points, nodded along, felt nothing — then fell hard for some tattooed bartender with a motorcycle and a gambling problem.
Logic is where attraction goes to die. The "22 Rules" work a level deeper, on the subconscious switches that decide within minutes whether you register as a MAN or as part of the furniture.
Stop presenting evidence. Start flipping switches.
great scene. "The lost Battalion" was a great realistic movie.Rollo Tomassi said:The opening battle in Gladiator was pretty good from a realism sense. The problem I have with movies like LotR, Star Wars & 300 is that they're all reliant on the CG guys following how they "think" a battle should flow based on cinematic themes rather than historical accuracy. Don't get me wrong I loved all of them, but from a 'battle' perspective, the Roman Legions vs. the Germanic tribes was excellent in Gladiator.
Also, consider the battle scenes in Glory or Gettysburg. These guys did their homework. There was also a great movie called The Lost Battalion based on a true story from WWI that starred Ricky Schroder of all people. Rent it if you can find it. Very accurate, very realistic.
The first matrix movie was great, but the other two were terrible.Gubby said:The matrix reloaded NEVER HAPPENED.
Attraction runs on a clock.
She flirted for weeks. Touched your arm. Found reasons to be alone with you. And you were careful. Respectful. Waiting for the right moment.
The moment had a shelf life. It expired around month two, and by the time you asked her out, she'd quietly filed you under "little brother."
One of the hardest lessons inside the 22 Rules: women rarely wait. Interest either grows or it decays, and nothing decays it faster than a man who never moves.
Make the move while she's still inventing reasons to be near you.
eh, it doesn't matter much to me if it's cool looking or accurate. The battle for Naboo and the battle of Geonosis were really cool looking but I don't have them here as my favorites because the movies sucked ass (IMO). Kingdom Of Heaven also had a great battle scene at the end but I had to go through an hour and a half of dragged out talking that led mostly to nowhere. The battles were good but it was almost as good as just skipping to the end. I think a great battle scene is one that compliments the movie, not one of those cases of "waiting till the end to watch 5 to 10 minutes of eye pleasure".Rollo Tomassi said:Alright, if were going by 'cool' points instead of 'realism' points, I'll have to admit the scene in Transformers where the marines are fighting that Scorpion robot was bad ass.
Also, the scene in Starship Troopers where the Bugs siege that outpost and just flood the landscape was cool too.
Exactly.comic_relief said:The first matrix movie was great, but the other two were terrible.
comic_reilef
You asked her if she wanted to grab coffee. Then you asked if the time worked. Then you asked if the place was okay. Then you asked if she'd prefer tea.
Four questions. Four chances for her to say no. Four signals that you're terrified of making a decision.
Plan it. Pick the place. Pick the time. Tell her where to meet you. She'll either show up or she won't.
Either way, you look like a man instead of a scared little boy.
You've replayed it a hundred times. She stood three feet away, scrolling her phone. You had an opening. You composed the perfect line — after she was gone.
For all you know, she's married now. To some guy who said something. Anything.
Openers are cheap. Almost any sentence works when it's delivered within three seconds. The expensive part is the standing there, drafting and deleting, while the window quietly closes.
The "22 Rules" stripped out my hesitation. What to open with, how to keep it alive, and the one habit that costs guys more women than anything else: waiting for perfect.
problem was Gettysberg battles were dreadfully boring.Rollo Tomassi said:The opening battle in Gladiator was pretty good from a realism sense. The problem I have with movies like LotR, Star Wars & 300 is that they're all reliant on the CG guys following how they "think" a battle should flow based on cinematic themes rather than historical accuracy. Don't get me wrong I loved all of them, but from a 'battle' perspective, the Roman Legions vs. the Germanic tribes was excellent in Gladiator.
Also, consider the battle scenes in Glory or Gettysburg. These guys did their homework. There was also a great movie called The Lost Battalion based on a true story from WWI that starred Ricky Schroder of all people. Rent it if you can find it. Very accurate, very realistic.
You asked her if she wanted to grab coffee. Then you asked if the time worked. Then you asked if the place was okay. Then you asked if she'd prefer tea.
Four questions. Four chances for her to say no. Four signals that you're terrified of making a decision.
Plan it. Pick the place. Pick the time. Tell her where to meet you. She'll either show up or she won't.
Either way, you look like a man instead of a scared little boy.