As a guitarist, I usually enjoy making metaphors with music when thinking about the whole seduction stuff. So if you'll spare me the musical comparison, I'd like to comment on the recent debate on ASF vs DJ.
When I started learning to play the guitar, it was at first all about getting the fingers to obbey my command; to produce the sounds I wanted them to. That alone took me a good amount of years as a teenager. And it is something one can never stop improving at.
But also, when in highschool, I once played for a teacher, who commented on my playing, saying that I was producing sound and all... but wasn't really "making music" (I wasn't bringing out the particular features of that which I was trying to say). So in order to get better at that, I had to study, read, and analyze many musical pieces, such that I would understand what their PURPOSE was, and how I was to relate to them when playing them. That is, I had to develop my "musicality," other than my finger chops (technical ease).
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Now, the way I see things, seduction is very very similar: you have the DJ Forum, with just beautiful works in the DJB helping guys get in touch with who they are as men, etc, namely inner game (their "musicality). And that is all great, but understand something. Going back to my analogy, what purpose would it have to know a lot about music and the qualities of a certain style, if I don't have the facility in my fingers to bring the music about? Much utility if I want to become a theorist (KBJ), but not much if I want to get out there and walk the walk.
So what I think guys should do is develop the"technical facility" (outer game) parallel to their inner game. Think about it, does it make sense to read pages and paes of Pookian posts about inner game, and just chuck the whole outer game to "just walk up, say hi, and the rest will flow naturally"? I don't think so. If you want to really get better at it, you need a set of tools that will allow you to handle the situations you encounter.
THAT'S where the whole PUA tools come in handy: How to open, how to convey value, how to jump into patterns, phone game, etc etc etc. Thinking that being a MAN and being succesful such that people will naturally revolve to you is like saying that knowing a lot of music THEORY will make you a good guitar PERFORMER.
I see here a rennaisance in many guy's interest in PUA stuff, and I think that's all great. If one is to really understand "meeting, attracting, and dating" women, then one has to know how to handle the entire interaction, not just the mental preparation prior to it. The title of this thread is the advice I give to many students of mine who get caught up in music theory and start neglecting their finger-abbility with the guitar: WORK ON YOUR CHOPS! If you find you know many things on inner game, but are totally clueless about how to open a group, or how to [insert any useful technique here], then wtf, just take a couple of days to learn how to go about workin on that, and then get out there and try it out. You'll see that developing that dimension will not only affect your game drastically, but also make you appreciate the inner game stuff that we love here so much (and I say that with the deepest appreciation to the posters who have positively influenced my inner game in this forum).
Don't get cought up in theory, develop those chops!
Note: those who think that just saying hi and asking for a number will give a guy an understanding of how to actually PROGRESS in their interactions with women, in the direction which you want to lead it... I invite you guys to reconsider that maybe, just maybe, some people need to actually learn how to do those things... if it were so natural, after all, most of us would probably not be here.
G
When I started learning to play the guitar, it was at first all about getting the fingers to obbey my command; to produce the sounds I wanted them to. That alone took me a good amount of years as a teenager. And it is something one can never stop improving at.
But also, when in highschool, I once played for a teacher, who commented on my playing, saying that I was producing sound and all... but wasn't really "making music" (I wasn't bringing out the particular features of that which I was trying to say). So in order to get better at that, I had to study, read, and analyze many musical pieces, such that I would understand what their PURPOSE was, and how I was to relate to them when playing them. That is, I had to develop my "musicality," other than my finger chops (technical ease).
****
Now, the way I see things, seduction is very very similar: you have the DJ Forum, with just beautiful works in the DJB helping guys get in touch with who they are as men, etc, namely inner game (their "musicality). And that is all great, but understand something. Going back to my analogy, what purpose would it have to know a lot about music and the qualities of a certain style, if I don't have the facility in my fingers to bring the music about? Much utility if I want to become a theorist (KBJ), but not much if I want to get out there and walk the walk.
So what I think guys should do is develop the"technical facility" (outer game) parallel to their inner game. Think about it, does it make sense to read pages and paes of Pookian posts about inner game, and just chuck the whole outer game to "just walk up, say hi, and the rest will flow naturally"? I don't think so. If you want to really get better at it, you need a set of tools that will allow you to handle the situations you encounter.
THAT'S where the whole PUA tools come in handy: How to open, how to convey value, how to jump into patterns, phone game, etc etc etc. Thinking that being a MAN and being succesful such that people will naturally revolve to you is like saying that knowing a lot of music THEORY will make you a good guitar PERFORMER.
I see here a rennaisance in many guy's interest in PUA stuff, and I think that's all great. If one is to really understand "meeting, attracting, and dating" women, then one has to know how to handle the entire interaction, not just the mental preparation prior to it. The title of this thread is the advice I give to many students of mine who get caught up in music theory and start neglecting their finger-abbility with the guitar: WORK ON YOUR CHOPS! If you find you know many things on inner game, but are totally clueless about how to open a group, or how to [insert any useful technique here], then wtf, just take a couple of days to learn how to go about workin on that, and then get out there and try it out. You'll see that developing that dimension will not only affect your game drastically, but also make you appreciate the inner game stuff that we love here so much (and I say that with the deepest appreciation to the posters who have positively influenced my inner game in this forum).
Don't get cought up in theory, develop those chops!
Note: those who think that just saying hi and asking for a number will give a guy an understanding of how to actually PROGRESS in their interactions with women, in the direction which you want to lead it... I invite you guys to reconsider that maybe, just maybe, some people need to actually learn how to do those things... if it were so natural, after all, most of us would probably not be here.
G
