"She Laughed All Night. Then She Ghosted You. Here's Why."

Dinner ran three hours. She laughed at everything. You walked her to her car thinking this one's locked in.

Then: nothing. Two texts. No reply. What happened?

You did what most men do on a great date. You filled every silence, answered every question, and left her with nothing to wonder about. No mystery. Nothing to sit with when she got home.

Rule 3 of the "22 Rules" changes the ending: tell her a little, hold back the rest, and let her imagination do the chasing. The ghosting stops too.

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Analyze this phone call i made (Audio Inside)

Casino

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"The Coffee Shop Girl You Never Spoke To"

You've replayed it a hundred times. She stood three feet away, scrolling her phone. You had an opening. You composed the perfect line — after she was gone.

For all you know, she's married now. To some guy who said something. Anything.

Openers are cheap. Almost any sentence works when it's delivered within three seconds. The expensive part is the standing there, drafting and deleting, while the window quietly closes.

The "22 Rules" stripped out my hesitation. What to open with, how to keep it alive, and the one habit that costs guys more women than anything else: waiting for perfect.

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Casino

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dude i ****ing promise you this **** was 100 percent authentic.

i was experiment with some of D'angelos phone techniques and sprinkling in a little C and F.

i just want some honest critiques from some of the more experienced DJ's.

thanks.
 

Julian

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LOL dope

SPYDAMAN 2 NUCCA!
 

Casino

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Julian.

Yo you ever go to De Ja Vu showgirls? In downtown Minneapolis.

i think their is a Brazilian chick that dances there but i can't remember her name, cuz it's been a few months.

that place is wild. i got tossed out for trying to buy some Percocets from a dancer.
 

"She Made Her Decision Before You Finished Your Sentence"

Three seconds. That's how long it took. Your shoes. Your posture. The way you held your drink. Whether you looked at the floor or looked at her.

She already filed you away. Interesting. Boring. Safe. Bold. Before you even opened your mouth.

Everything you say after that is just her confirming what she already decided.

So stop rehearsing lines. Fix the first three seconds. Stand tall. Look up. Smile like you mean it. Walk like you belong wherever you're standing.

The words come later. The impression comes first.

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Panda 2000

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Oh, and, er ... Chingy? I'd rather tell a girl that I resemble Elton John than ... Chingy. I mean come on, Chingy?

But that Spidaman 2 shiet is dope, yo, fo' sho'.
 

Casino

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P.S.

if anyone can cite the movie reference i made (besides spiderman 2)

i will give them an internet high five.
 

Andromax

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That is funny **** man.

I couldnt figure out the other movie reference.

but the baby oil "we can get down like that, I'll get freaky!"

Made me laugh pretty good.
 

"The Coffee Shop Girl You Never Spoke To"

You've replayed it a hundred times. She stood three feet away, scrolling her phone. You had an opening. You composed the perfect line — after she was gone.

For all you know, she's married now. To some guy who said something. Anything.

Openers are cheap. Almost any sentence works when it's delivered within three seconds. The expensive part is the standing there, drafting and deleting, while the window quietly closes.

The "22 Rules" stripped out my hesitation. What to open with, how to keep it alive, and the one habit that costs guys more women than anything else: waiting for perfect.

Read more...

Climax

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lol
 

"You'll Never Feel READY to Walk Over"

Next Monday you'll feel more confident. After the gym you'll feel more confident. After one more drink you'll feel more confident. After you get a better haircut, a better jacket, a better job.

You've been "getting ready" for two years.

She's standing ten feet away right now. She'll be gone in four minutes. No amount of preparation will manufacture the courage that only comes from moving your feet.

Walk over. Stumble through the first sentence. Let it be clumsy. Let it be imperfect. You will feel more alive in those ten seconds than you have all month.

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Jariel

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I admire your confidence and the way you handle the rejection with good humour, but it sounded like you were desperate and practically begging her for a date, which didn't paint a very flattering picture of you in my head if I'm honest.

Good fun to listen to though!
 

Senior Ding-Dong

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hahahahahahahahahahahahahahahahaha, we can watch spiderman 2 and i'll bring the baby oil, lol, thats pretty poor. you sounded like you were trying to sell her the dvd. and seriously what is the crack with the rapper talk, why do people feel the need to talk like this, if you talked to her with your bloody normal voice and stopped putting on the "cool" voice then you might do better, if that is the way you normally talk then ur going to have problems.
 

MrHarris

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You forgot a few steps in your seduction process. I was amazed that you jumped right to trying to f*ck close type of stuff right off the bat.
 

thefonz

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i dunno i thought he did pretty good except......could have sounded a little more intelligent (sounded like a drug dealer with little dinero)......shouldn't have asked the girl what she wants to go out for, also don't ask her to go out that very night (a pimp should have his night planned out already)......i couldn't have done that good though
 

MrCode

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I don't know if you were just using this as practice or not, but calling a number that a friend of yours got is almost guaranteed rejection. I mean for all she knows you just randomly dialed her number or got it from the phonebook. To her you are just some crazy mofo.

I feel you came off way too desperate, but unfortunately that is the kind of frame you are in when you dial a girl like this.

Part of being C&F is implying that the girl likes you and you are trying to keep her from jumping you, but you weren't able to do that at all here. I mean at least she was nice enough to go along with the phone call a bit, because I could tell she was a bit shocked at the beginning (i.e. she was thinking "who the hell is this???")

I'd recommend you only call women who's number you got yourself. At least then you will stand a chance. Don't worry too much about being C&F over the phone, just get a date (like you were trying on this call), then do more C&F on the date. If you cold approached her yourself and got the digits, your chances of getting a date are much higher than in this situation.

Also 4 year isn't much of an age difference, so the mention of George Jefferson, while hilarious, may not have been needed.

Regarding your rap, I'm sure there was little belief that you were Jewish. ;)
 

"I'm Not Looking for Anything Serious Right Now"

When a woman says it, guys hear a confession. A heads-up. A scheduling conflict.

Here's the translation: I don't feel anything. Right now. With you.

Watch what happens when a man triggers actual attraction. The busy career, the recent breakup, the "not in a place to date" — all of it evaporates instantly. The same woman who was guarding her freedom is suddenly free every night.

The "22 Rules" explain why. When the right switches flip, her timeline rearranges itself around you.

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