Sometimes when youre in a conversation with a female, you can sense the conversation going slightly sideways. Its that momentary flick of her eyes looking for someone else to talk to, looking at her watch, or an awkward silence.
Thats when you bring out the neg hit, ****y and funny all the better, that seems to come out of no where and makes her re-appraise you.
The point of it is to get attention, establish your offbeat personality, show a little ****iness, demonstrate social standing, etc. The neg hit should be said articulately, but at the same time, be on the verge of making no sense in the context of the situation that throws her off track.
HER: "so anyways, it was good to see you."
YOU: "yeah but is it true?"
HER: "is what true?"
YOU: "you know, the rumor about you running over that sleazy lawyer on that moped. I saw it in the paper"
HER: "WHAT?"
YOU: "hey, as long as you didnt damage the moped, nobody cares right?"
HER: (smiling) "You got me confused with somebody else i think"
YOU: "No, I never forget a face, and they had yours blown up and photoshopped. Page four wasnt it? Are you on probation or what? How did you get outta jail"?
HER: "Ive never even ridden a moped. You must be thinking about some other girl"
YOU: "Nice try, but its all over campus that you did it. The only question is, did you do it on purpose? Cause' that would make you more interesting that I thought before"
........now you've gotten her attention, and youre creating challenge and showing your creativity at the same time. And youre definitely not BORING her. So make it up on the spot, or if you dont think quick on your feet, have something like this ready for when you need it.
And make sure the neg hit comes at the end, where it creates challenge. Basically, youre accusing her of the very thing she was thinking a couple of minutes before.
The bonus in all this is that she starts to think that you have a "connection" because you think like she does, and you beat her to the punch.
Thats when you bring out the neg hit, ****y and funny all the better, that seems to come out of no where and makes her re-appraise you.
The point of it is to get attention, establish your offbeat personality, show a little ****iness, demonstrate social standing, etc. The neg hit should be said articulately, but at the same time, be on the verge of making no sense in the context of the situation that throws her off track.
HER: "so anyways, it was good to see you."
YOU: "yeah but is it true?"
HER: "is what true?"
YOU: "you know, the rumor about you running over that sleazy lawyer on that moped. I saw it in the paper"
HER: "WHAT?"
YOU: "hey, as long as you didnt damage the moped, nobody cares right?"
HER: (smiling) "You got me confused with somebody else i think"
YOU: "No, I never forget a face, and they had yours blown up and photoshopped. Page four wasnt it? Are you on probation or what? How did you get outta jail"?
HER: "Ive never even ridden a moped. You must be thinking about some other girl"
YOU: "Nice try, but its all over campus that you did it. The only question is, did you do it on purpose? Cause' that would make you more interesting that I thought before"
........now you've gotten her attention, and youre creating challenge and showing your creativity at the same time. And youre definitely not BORING her. So make it up on the spot, or if you dont think quick on your feet, have something like this ready for when you need it.
And make sure the neg hit comes at the end, where it creates challenge. Basically, youre accusing her of the very thing she was thinking a couple of minutes before.
The bonus in all this is that she starts to think that you have a "connection" because you think like she does, and you beat her to the punch.
