George Gordon
Banned
If you just weeded through DADDY’S LITTLE GIRL: Women Revealed, maybe curiosity came upon you.
Women ARE children—are you sure you didn’t mean ‘women WANT children’? I AM sure. What? But their goddess-bodies are so mature and voluptuous. Uh huh. But there IS a child beneath that sexy saunter of theirs: those legs, breasts and buttocks. Really? How in high hell does that little girl come out? Can I do it? Is it a magic trick? No trick. And YOU can do it (and her, but ONLY if you really want to). If little girl is on GOOD behavior you will TREAT her to your boyish-MASCULINITY. You are the MAN-BOY; the KING-PRINCE.
The bell just went, so get inside boys and find your desks, and notice the three cartoons drawn on the chalkboard: The Prince, The King, and The Girl in the Goddess.
THE PRINCE (The Boy): Understanding How to Frame Your Humor
Humor is tact; it is NOT funny! Not really. Humor is the language of a Prince well versed in negotiating, keeping all parties in ‘good-humor’. It is a manner of discourse that softens desires that he cannot grant and it removes all edges from that disappointment. It creates tension and slack in the arms of comfort; with humor, you can make anything acceptable.
The BOY uses humor not only because it is FUN for him and it excites women, but because he uses it as a suitable form to test or qualify the women. He feels her out with his humor before he feels her up with his hands. His sense of humor is boyish with undertones—disguised—of virility: want and action. A Prince, nothing does, without purpose.
What does a Prince want, and thereof, what kind of humor makes he in his action? He wants a queen, not a princess. Yet he must let the disqualified princesses down gently, so he learns to humor their lust for him and reject them subtly. Unfortunately, these princesses keep pursuing their prince, and he has to, like a good courtier, keep the peace and endure these hopeless hopefuls until he meets his queen, and so, finally abolishing their hope.
My Lord! You sound conceited and arrogant. That’s right. But: Conceit or confidence?
You are the AXLE of your humor just as ‘You are the PRIZE’. In a stoic’s jest, women are the spokes revolving around you; they need you to turn them (on), else they fall in disarray, but you are always constant. The center.
Without you, women have no reason to shop and so little to discuss. Two habits so clearly woman. So what are you saying, exactly? YOU are their purpose. When you understand this, you will learn to be bold in your humor. Be outrageous. Be juvenile, and BOYISH! Be impolite and mindless of your manners: chew and speak hardily with a mouth full of food, belch, fart, and boisterously laugh about it all. But that’s so immature! What experience do you think would make for a better discussion: a domestic puppy-dog who follows you around and begs you for attention, or a wild untamed wolf who let’s you roam rebelliously with him?
THE KING (The Man): Understanding Boundaries and Behavior
You MUST establish for women what is GOOD BEHAVIOR, and what is BAD BEHAVIOR IMMEDIATELY! Once you let something go once or twice, it’s GONE: Your respect eroding by the winds of woman.
Thus, here stands from out of the Boy: the MAN, the King. He is sovereign and stern; his authoritarian voice, like a commander—his eye contact: intense, direct, and strict. Break all humor. There is NO more fun UNTIL she smartens up. She must know beyond any doubt that you are SERIOUS! Present is the tension. She’ll be taken aback by your sudden shift from BOY to MAN; you’ll see it in her face (a mix of ‘awe’ and ‘fear’) as she says meekly, ‘Oh.’ Realizing she crossed a line, ‘Okay.’ When she understands and agrees; the boy is back, the humor is back, the FUN is back. Gone is the tension.
Sounds a bit manic, doesn’t it my Lord? Maybe. But wouldn’t you rather have RESPECT?
Okay. But what is GOOD behavior and what is BAD behavior? BAD behavior, essentially, is when she acts in any way like the Princess, disrespecting your masculinity, and rejecting her true femininity; GOOD behavior is when she is being real, when she is being woman, Child—she is following your masculine lead in terms of her own femininity.
For woman only reveals to you the amount of femininity equal to your OWN masculinity. Where your masculine boundary lies is where she sets her feminine boundary, and reveals to you no more. You haven’t given her permission. Thus you get the Nice Guy who observes no femininity in woman because he himself is androgynous, and his masculine boundary is nil, non-sexual; Whereas, when your masculinity is whole, woman reflects back femininity in whole.
Sovereignty woman wants IN man, not FROM man.
THE GIRL IN THE GODDESS: Understanding “The Ugh”
“The Ugh.” That contemptuous, furrowed-eyebrow look of disgust a woman will give; that fast, brief exhalation accompanied by a hushed moan, as if she were pricked by something sharp. Almost orgasmic. Notice also, in some cases that “The Ugh” is followed by a quick aversion of attention from your boyishness—Maybe you haven’t, yet.
Remember, in Nice Guy Military School you learnt to interpret “The Ugh”, in terms of the Princess Persona, as something that you needed to avoid at ALL costs. Princess did NOT like what you were doing or saying; it was your cue, then, as the peasant, to get back in line. Boy, did I march backwards back then. But now that you’re marching forwards, you realize what opportunities you had.
What’s that? How exactly SHOULD I interpret “The Ugh” my Lord? Good question! That curiosity will make a king’s ambition of you one day, squire. “The Ugh” is a sign that the princess is, like a statue of a goddess, cracking; beginning to reveal what truly is within that sculpture of perfection and beauty—A reinvention of perfection and beauty? So bright, you are young squire! And when you’ve collected enough of these looks; enough of these cracks, these shards of princess falling to the ground, more than you can carry, look at what remains of the monument…
A LITTLE GIRL! I can’t believe my eyes! Aye lad. And that is why you never saw her before.
But did you notice something strange just moments before the last of the chunks crumbled to the ground? I did my Lord. The statue gave you the finger, and hissed “Fück you!” Bravo! As her last precaution, she will amplify “The Ugh”s into “Fück You”s to ensure that your masculinity is true and bold enough to view her true femininity, open and whole.
But the how! Give me techniques! How can I reveal this girl without your help? I can merely show you my habits. I can only demonstrate. I am I; you are you. It will be recess time soon and out you go to PLAY. It’s all in the way you use your IMAGINATION. Nature’s already given you these habits, you’ve only forgotten them.
BUUUUUUUUUZZZZZZZZZZZZZZZZZZZZZZ
ONTO THE PLAYGROUND:
What happened to recess? Where are your habits? They shan’t be posted after all. They are not important. Why not? Because only these fundamental perspectives are. Now, go PLAY. GO TEASE!
“GIRLS just wanna have FUN”—Cyndi Lauper
!GEORGE GORDON!
Procrastination is masculinity’s sin; Action is virile. –ME
The essence of femininity is juvenescence; Women are children! –ME
I came looking for love, but discovered LIFE. –Pook
Women ARE children—are you sure you didn’t mean ‘women WANT children’? I AM sure. What? But their goddess-bodies are so mature and voluptuous. Uh huh. But there IS a child beneath that sexy saunter of theirs: those legs, breasts and buttocks. Really? How in high hell does that little girl come out? Can I do it? Is it a magic trick? No trick. And YOU can do it (and her, but ONLY if you really want to). If little girl is on GOOD behavior you will TREAT her to your boyish-MASCULINITY. You are the MAN-BOY; the KING-PRINCE.
The bell just went, so get inside boys and find your desks, and notice the three cartoons drawn on the chalkboard: The Prince, The King, and The Girl in the Goddess.
THE PRINCE (The Boy): Understanding How to Frame Your Humor
Humor is tact; it is NOT funny! Not really. Humor is the language of a Prince well versed in negotiating, keeping all parties in ‘good-humor’. It is a manner of discourse that softens desires that he cannot grant and it removes all edges from that disappointment. It creates tension and slack in the arms of comfort; with humor, you can make anything acceptable.
The BOY uses humor not only because it is FUN for him and it excites women, but because he uses it as a suitable form to test or qualify the women. He feels her out with his humor before he feels her up with his hands. His sense of humor is boyish with undertones—disguised—of virility: want and action. A Prince, nothing does, without purpose.
What does a Prince want, and thereof, what kind of humor makes he in his action? He wants a queen, not a princess. Yet he must let the disqualified princesses down gently, so he learns to humor their lust for him and reject them subtly. Unfortunately, these princesses keep pursuing their prince, and he has to, like a good courtier, keep the peace and endure these hopeless hopefuls until he meets his queen, and so, finally abolishing their hope.
My Lord! You sound conceited and arrogant. That’s right. But: Conceit or confidence?
You are the AXLE of your humor just as ‘You are the PRIZE’. In a stoic’s jest, women are the spokes revolving around you; they need you to turn them (on), else they fall in disarray, but you are always constant. The center.
Without you, women have no reason to shop and so little to discuss. Two habits so clearly woman. So what are you saying, exactly? YOU are their purpose. When you understand this, you will learn to be bold in your humor. Be outrageous. Be juvenile, and BOYISH! Be impolite and mindless of your manners: chew and speak hardily with a mouth full of food, belch, fart, and boisterously laugh about it all. But that’s so immature! What experience do you think would make for a better discussion: a domestic puppy-dog who follows you around and begs you for attention, or a wild untamed wolf who let’s you roam rebelliously with him?
THE KING (The Man): Understanding Boundaries and Behavior
You MUST establish for women what is GOOD BEHAVIOR, and what is BAD BEHAVIOR IMMEDIATELY! Once you let something go once or twice, it’s GONE: Your respect eroding by the winds of woman.
Thus, here stands from out of the Boy: the MAN, the King. He is sovereign and stern; his authoritarian voice, like a commander—his eye contact: intense, direct, and strict. Break all humor. There is NO more fun UNTIL she smartens up. She must know beyond any doubt that you are SERIOUS! Present is the tension. She’ll be taken aback by your sudden shift from BOY to MAN; you’ll see it in her face (a mix of ‘awe’ and ‘fear’) as she says meekly, ‘Oh.’ Realizing she crossed a line, ‘Okay.’ When she understands and agrees; the boy is back, the humor is back, the FUN is back. Gone is the tension.
Sounds a bit manic, doesn’t it my Lord? Maybe. But wouldn’t you rather have RESPECT?
Okay. But what is GOOD behavior and what is BAD behavior? BAD behavior, essentially, is when she acts in any way like the Princess, disrespecting your masculinity, and rejecting her true femininity; GOOD behavior is when she is being real, when she is being woman, Child—she is following your masculine lead in terms of her own femininity.
For woman only reveals to you the amount of femininity equal to your OWN masculinity. Where your masculine boundary lies is where she sets her feminine boundary, and reveals to you no more. You haven’t given her permission. Thus you get the Nice Guy who observes no femininity in woman because he himself is androgynous, and his masculine boundary is nil, non-sexual; Whereas, when your masculinity is whole, woman reflects back femininity in whole.
Sovereignty woman wants IN man, not FROM man.
THE GIRL IN THE GODDESS: Understanding “The Ugh”
“The Ugh.” That contemptuous, furrowed-eyebrow look of disgust a woman will give; that fast, brief exhalation accompanied by a hushed moan, as if she were pricked by something sharp. Almost orgasmic. Notice also, in some cases that “The Ugh” is followed by a quick aversion of attention from your boyishness—Maybe you haven’t, yet.
Remember, in Nice Guy Military School you learnt to interpret “The Ugh”, in terms of the Princess Persona, as something that you needed to avoid at ALL costs. Princess did NOT like what you were doing or saying; it was your cue, then, as the peasant, to get back in line. Boy, did I march backwards back then. But now that you’re marching forwards, you realize what opportunities you had.
What’s that? How exactly SHOULD I interpret “The Ugh” my Lord? Good question! That curiosity will make a king’s ambition of you one day, squire. “The Ugh” is a sign that the princess is, like a statue of a goddess, cracking; beginning to reveal what truly is within that sculpture of perfection and beauty—A reinvention of perfection and beauty? So bright, you are young squire! And when you’ve collected enough of these looks; enough of these cracks, these shards of princess falling to the ground, more than you can carry, look at what remains of the monument…
A LITTLE GIRL! I can’t believe my eyes! Aye lad. And that is why you never saw her before.
But did you notice something strange just moments before the last of the chunks crumbled to the ground? I did my Lord. The statue gave you the finger, and hissed “Fück you!” Bravo! As her last precaution, she will amplify “The Ugh”s into “Fück You”s to ensure that your masculinity is true and bold enough to view her true femininity, open and whole.
But the how! Give me techniques! How can I reveal this girl without your help? I can merely show you my habits. I can only demonstrate. I am I; you are you. It will be recess time soon and out you go to PLAY. It’s all in the way you use your IMAGINATION. Nature’s already given you these habits, you’ve only forgotten them.
BUUUUUUUUUZZZZZZZZZZZZZZZZZZZZZZ
ONTO THE PLAYGROUND:
What happened to recess? Where are your habits? They shan’t be posted after all. They are not important. Why not? Because only these fundamental perspectives are. Now, go PLAY. GO TEASE!
“GIRLS just wanna have FUN”—Cyndi Lauper
!GEORGE GORDON!
Procrastination is masculinity’s sin; Action is virile. –ME
The essence of femininity is juvenescence; Women are children! –ME
I came looking for love, but discovered LIFE. –Pook
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