"She's Out of Your League"

You've said it a hundred times. Maybe a thousand. And every time you say it, you train your brain to freeze the next time she walks into the room.

Leagues are a myth invented by guys who are scared of women.

She's a person. She has bad breath in the morning. She picks songs she can't sing in the shower. She overthinks her own texts.

Walk over. Say something. The league dissolves the second you open your mouth.

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Push-pull technique

Spirit Fingers

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Here's a cool way to tease a girl that I discovered the other day when I did it to my female boss at work. It basically works by demonstrating complete control over her state, as well as being fun. Because this is a DEMONSTRATION of higher value and not a story, it works very well and establishes a dominant frame while simultaneously making her feel good with humor.

Here's the tech:

HB: (asks if you're having fun, or if you like her clothes, or new highlights, or any other form of asking for validation)

Spirit Fingers: (completely serious expression) Nah, actually I'm having a terrible time. I really hate hanging out with you, you're so boring. (modify for other situtations).

HB: What? That's really mean...(stay serious until she really thinks you are serious).

Spirit Fingers: (busts out laughing) Nah, I'm just kidding...you know I love you. You're my favorite girl in the party/club/mall.

HB: (smiles)

Spirit Fingers: (looking like you're thinking about it) Well actually...not really...

HB: Shut up! (hits you, grabs you, etc.)

Spirit Fingers: Haha, nah I'm just playin, you're fun. I like how we can have fun with each other like this. (kino)

So, here's the framework so you can duplicate it:

1. Create a strong PUSH by refusing to give her the validation she's asking for, making her think you're serious.
2. Create a strong PULL of positive emotions by being extreme (I love hanging out with you, you're my favorite)
3. Create another PUSH when you take that away, the fact that you can do it twice is a DHV. Unless it works well the first time though, don't do it again -- it's like double or nothing, you'll either make it twice as good or kill the vibe.
4. End with a PULL of positive emotions by qualifying her, which transitions well into kino and physical escalation.

Notes:
1. Don't push more than twice, or it becomes lame.
2. This tech is congruent with direct game because it's only momentary teasing...when it's over she should be assured that you really like her.
3. END WITH A PULL. If you end on a push you sound like a jackass.

-Dan
 

"The Coffee Shop Girl You Never Spoke To"

You've replayed it a hundred times. She stood three feet away, scrolling her phone. You had an opening. You composed the perfect line — after she was gone.

For all you know, she's married now. To some guy who said something. Anything.

Openers are cheap. Almost any sentence works when it's delivered within three seconds. The expensive part is the standing there, drafting and deleting, while the window quietly closes.

The "22 Rules" stripped out my hesitation. What to open with, how to keep it alive, and the one habit that costs guys more women than anything else: waiting for perfect.

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killbill

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thats awesome. thank you.
 

Twix

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ye ive used this quite a few times n sumtimes find that it can go a lil 2 far, really gud way 2 keep her happy tho lol! defo worth a risk;)

-Twix-
 

"I just moved here from Florida."

That sentence contains at least five follow-up questions she WANTS you to ask. Where in Florida? What brought you here? How long have you been in the area? What do you miss? How does it compare to here?

She handed them to you on a silver platter. And you said, "Oh cool. I come here every week. I love this band. Ummm... pretty crowded tonight."

She smiled politely. Nodded. And never texted you back.

I was that guy for years. Talking too much. Listening too little. Panicking about my next sentence while she was literally feeding me the answers.

Then I found 22 rules that fixed the whole thing. Rule number one: shut up and listen. She'll tell you exactly what to say.

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n00bPimp

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But when you pull, arent you releasing the sexual tension? I think by just staying serious it will have a more powerful effect. Let me elaborate, what you are telling her is so far out and ridiculous (in a F&C way) that she knows it can't possibly be true, and when you don't take it back it makes it more powerful because it shows you don't care if she took it the wrong way, plus this makes her more comfortable around you because she knows you're not trying to be nice and innofensive (unlike when you pull). Wouldn't you agree?
 

DJ4Real

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Push and Pull is a technique that increases sexual tension...when you push tension builds, when you pull tension builds...

To push means to give attention, like flirting and kino. To pull means to act normal and have self control.
 

shiningshadow

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I like this, used it the other day. Nice. :up:
 

"Why Women Dump the Guys Who Try the Hardest"

You paid for dinner. You drove. You said "whatever you want is fine" every single time. All the effort, no expectations.

And she left anyway — probably for a guy who makes her pick up the pizza.

Painful. Also predictable. Her mind quietly concludes that anything requiring zero effort from her is worth exactly zero. You became a free sample, and free samples get taken for granted.

The 22 Rules flip the dynamic. Small shifts that get her investing effort, money, and time in you — until SHE'S the one afraid of losing YOU.

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Spirit Fingers

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Originally posted by n00bPimp
But when you pull, arent you releasing the sexual tension? I think by just staying serious it will have a more powerful effect. Let me elaborate, what you are telling her is so far out and ridiculous (in a F&C way) that she knows it can't possibly be true, and when you don't take it back it makes it more powerful because it shows you don't care if she took it the wrong way, plus this makes her more comfortable around you because she knows you're not trying to be nice and innofensive (unlike when you pull). Wouldn't you agree?
This is actually very important. The PULL in push/pull is just as important as the push. Actually, I think it is more important.

People who just push by perpetual teasing and C&F aren't creating any sexual tension. They are just being annoying and spinning their wheels, going nowhere.

It's good to be ****y funny every once in a while. However, if you are incapable of expressing genuine interest in the girl, she will see you as insecure. This is because it's obvious you're covering up for your social fears with a mask of c&f -- very unattractive.

So remember, any insecure AFC can put up a front of being ****y and funny, and push the girl away. Because of this, ****y funny does not demonstrate much value. Do C&F SPARINGLY, and focus on demonstrating value in better ways such as storytelling, social proof, body language, tonality, vibing, screening, rapport, etc.

-Dan
 

captn caveman

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n00bPimp said:
But when you pull, arent you releasing the sexual tension? I think by just staying serious it will have a more powerful effect.
By staying serious, you loose the playfull mode.

It is called push pull, because it is not push push...

You gotta give her something to want to come back to, that is the pull... The push makes her want the pull... Or what the pull is for.
 

"She Made Her Decision Before You Finished Your Sentence"

Three seconds. That's how long it took. Your shoes. Your posture. The way you held your drink. Whether you looked at the floor or looked at her.

She already filed you away. Interesting. Boring. Safe. Bold. Before you even opened your mouth.

Everything you say after that is just her confirming what she already decided.

So stop rehearsing lines. Fix the first three seconds. Stand tall. Look up. Smile like you mean it. Walk like you belong wherever you're standing.

The words come later. The impression comes first.

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