"How I Made Sure No Woman Ever Friend-Zoned Me Again"

She calls you when her car breaks down. When she needs help moving. When some guy she's actually dating treats her badly.

You're the listener. The reliable one. The guy who would treat her so much better, if she'd just open her eyes.

She won't. You trained her to see you as the low-effort option — the friend who requires zero risk and zero investment. Every favor dug the hole deeper.

The "22 Rules" break the pattern. You'll stop auditioning for a role she already cast and become the man she chases instead. It starts with Rule 1.

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Know any good movies with present day cowboys in it?

~Vortex~

Don Juan
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I began writing a movie script and I have this character called "Cowboy", a wild, though, strong fellow, who owns a cattle ranch, and is fighter pilot.

I just need some inspiration for this guy. Anybody know some good cool movies with PRESENT DAY cowboys in it?

Thanks!
 

"She Laughed All Night. Then She Ghosted You. Here's Why."

Dinner ran three hours. She laughed at everything. You walked her to her car thinking this one's locked in.

Then: nothing. Two texts. No reply. What happened?

You did what most men do on a great date. You filled every silence, answered every question, and left her with nothing to wonder about. No mystery. Nothing to sit with when she got home.

Rule 3 of the "22 Rules" changes the ending: tell her a little, hold back the rest, and let her imagination do the chasing. The ghosting stops too.

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5string

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Go rent "8 Seconds"

It's not too old, but a really good movie. True story of a bull rider.
 

Julius_Seizeher

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"No Country for Old Men" is not a Western in the strictest sense, but it is an old western storyline set in 1970s Texas. Great movie, especially for a new one, which usually leave much to be desired.

It would give much inspiration for character development and the like.
 

"The Coffee Shop Girl You Never Spoke To"

You've replayed it a hundred times. She stood three feet away, scrolling her phone. You had an opening. You composed the perfect line — after she was gone.

For all you know, she's married now. To some guy who said something. Anything.

Openers are cheap. Almost any sentence works when it's delivered within three seconds. The expensive part is the standing there, drafting and deleting, while the window quietly closes.

The "22 Rules" stripped out my hesitation. What to open with, how to keep it alive, and the one habit that costs guys more women than anything else: waiting for perfect.

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KarmaSutra

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If you remove Renee Zelweggers' entire part in Appaloosa, it's not that bad.

I had the highest hopes for it. Ed Harris Directed, Viggo was magnificent (as always), Lance Henrickson is the motherfuvcker to watch (as always).

But. The picture was a complete disaster.

Ed Harris pining for Zelweggers' cheating/wh0ring arse, even after he catches her playing grab-a-titty with Lance Henrickson, by a creek.

It does, albeit it barely, follow Campbell's - Hero's journey. It's discombobulated and swerves quite a bit, but has a linguistic character trail.

I'm doing a re-write for a potential pilot. The Producers sent it back once saying it's too light on plot. I sent it back telling them I'm the writer. They're my voyeuristic crumbsnatchers, who will take what I send them.

What the fvck? How much plot can you fit in 22.5 minutes? I believe you immediately fall in love, or hate, with the characters. Only then do you care of their trials and terrors.
 

Julius_Seizeher

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I know it's outside of your "modern cowboy" theme, but the truth is, cowboys are not modern or ancient. They are timeless.

In that spirit, I also suggest you check out Sergio Leone's Spaghetti Westerns. Clint Eastwood got his start on such classics as Fistful of Dollars,For a Few Dollars More, and The Good, The Bad, and The Ugly. The spaghetti westerns were the best(IMO), and they were nearly always scored by Ennio Morricone, whose compositions are absolutely brilliant.

Of all the spaghettis, Once Upon a Time in the West is my favorite. Though it lacks The Eastwood, you've got Charles Bronson and Henry Fonda, and Morricone's work in this film is the most perfect film score I have ever heard.

Go to youtube and search "You brought two too many" to see the beginning of this movie.
 

~Vortex~

Don Juan
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Good point about cowboys being timeless. I'm gonna try to see them all but let's see how that works out.
 
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