TonyTheTigerOI
Master Don Juan
Rising up, back on the street.
Did my time, took my chances,
Went the distance, now I’m back on my feet.
Just a man and his will to survive.
So many times it happens to fast,
You trade your passion for glory.
Don’t loose your grip on the dreams of the past,
You must fight just to keep them alive.
It’s the eye of the tiger, the thrill of the fight,
Rising up to the challenge of our rival,
The last known survivor stalks his prey in the night
And he’s watching us all with the eye,
The eye of the tiger!
How often do you hear guys talking about a woman’s body... as apposed to a woman’s eyes, lips or hair? Culture is to blame. Eye contact is sometimes viewed as offensive, and is usually associated with a certain uneasiness.
Offensive EC, or staring, is a product of an emotionless [or negative] glance. If you witness something unbelievable you will undoubtedly stare. After gaining experience with women, you will find them more and more believable... most of the “hotties” you used to fixate on [drool and all] will barely catch your attention. But, for the budding green DJ, help reduce staring by smiling and relaxing/softening your expression.
The uneasiness you feel is both a result of culture, and a few startling ‘side effects’ prolonged EC may have.
“I AM WOMAN, HEAR ME ROAR!”
Modern culture makes every woman out to be wonder woman. They’re not. Women are not deserving of the fear many men feel when they attempt to hold EC with them.
“I am man, I need not roar.”
While holding EC you may begin to feel restless, start fidgeting, or be compelled to look away from your target. This is natural. The more accustomed to EC you become the less ‘side effects’ you will experience. Like anything else, EC requires a level of confidence to be done correctly. Build confidence through practice.
Your face is capable of thousands of expressions [with varying degrees and combinations of just over one hundred base expressions]... be in control of your appearance. If you walk around making EC while frowning, people will be afraid, or feel threatened by you. Conversely, if you walk around with a huge grin, people will find you weird, or maybe even scary.
Walk around making EC, with a look of a man who anticipates the punch line to a funny joke - you know something good is going to happen, so you’re just barely smiling. Once you make EC and say hi, show those purely whites!
Once in a conversation, you can lead your target through a topic with simple supplication and facial expressions.
Hey, what’s up<smile>?
-Oh, not much.
<Raises eyebrows and leans forward slightly, remaining silent, as if requesting more info>
-Just got back from the store.
Really?
-Yeah, had to pick up some bread and eggs.
When someone is having a bad day, an empathetic look sometimes says more than the sweetest words of good-will. Relax your eyes, raise your eyebrows slightly, and coyly smile to show understanding of their poor circumstances.
When flirting and teasing, a broad, laughing smile with a scrunched nose while throwing your head back emphasizes whatever you were mocking your target about, and usually educes a play fighting, or some attitude from her. When she sasses you [attitude is so sexy!], raise one eyebrow and turn up your lips, as if saying “Yeah, sure thing hunny.”
Practice your EC and facial expressions in the mirror... just the basics: happiness, requesting more information, ****y/funny, and get the muscle memory down. Hold eye contact in every situation you can - with teachers, your friends, girls [ESPECIALLY ugly ones]. Be careful not to stare at men that are not friends, as hard EC is perceived as a threat by men.
Attraction building EC - your gaze sends your target a message, and will often lead to deep rapport. Done in a woman’s intimate distance [within 2 feet], and best coupled with intermediate-heavy kino, look deep into her eyes with a soft expression. Slowly look from her eyes, to her lips, and back to her eyes. Also, using slow, soft kino, if you run your fingers through her hair, look at her hair. If you trace her shoulder, down her arm, to her hand, follow the path of your fingers on her skin.
Eye contact is nothing to be afraid of, in fact, it’s a very powerful technique deserving of special consideration and practice. Happy hunting, DJ’s ;-)
Did my time, took my chances,
Went the distance, now I’m back on my feet.
Just a man and his will to survive.
So many times it happens to fast,
You trade your passion for glory.
Don’t loose your grip on the dreams of the past,
You must fight just to keep them alive.
It’s the eye of the tiger, the thrill of the fight,
Rising up to the challenge of our rival,
The last known survivor stalks his prey in the night
And he’s watching us all with the eye,
The eye of the tiger!
How often do you hear guys talking about a woman’s body... as apposed to a woman’s eyes, lips or hair? Culture is to blame. Eye contact is sometimes viewed as offensive, and is usually associated with a certain uneasiness.
Offensive EC, or staring, is a product of an emotionless [or negative] glance. If you witness something unbelievable you will undoubtedly stare. After gaining experience with women, you will find them more and more believable... most of the “hotties” you used to fixate on [drool and all] will barely catch your attention. But, for the budding green DJ, help reduce staring by smiling and relaxing/softening your expression.
The uneasiness you feel is both a result of culture, and a few startling ‘side effects’ prolonged EC may have.
“I AM WOMAN, HEAR ME ROAR!”
Modern culture makes every woman out to be wonder woman. They’re not. Women are not deserving of the fear many men feel when they attempt to hold EC with them.
“I am man, I need not roar.”
While holding EC you may begin to feel restless, start fidgeting, or be compelled to look away from your target. This is natural. The more accustomed to EC you become the less ‘side effects’ you will experience. Like anything else, EC requires a level of confidence to be done correctly. Build confidence through practice.
Your face is capable of thousands of expressions [with varying degrees and combinations of just over one hundred base expressions]... be in control of your appearance. If you walk around making EC while frowning, people will be afraid, or feel threatened by you. Conversely, if you walk around with a huge grin, people will find you weird, or maybe even scary.
Walk around making EC, with a look of a man who anticipates the punch line to a funny joke - you know something good is going to happen, so you’re just barely smiling. Once you make EC and say hi, show those purely whites!
Once in a conversation, you can lead your target through a topic with simple supplication and facial expressions.
Hey, what’s up<smile>?
-Oh, not much.
<Raises eyebrows and leans forward slightly, remaining silent, as if requesting more info>
-Just got back from the store.
Really?
-Yeah, had to pick up some bread and eggs.
When someone is having a bad day, an empathetic look sometimes says more than the sweetest words of good-will. Relax your eyes, raise your eyebrows slightly, and coyly smile to show understanding of their poor circumstances.
When flirting and teasing, a broad, laughing smile with a scrunched nose while throwing your head back emphasizes whatever you were mocking your target about, and usually educes a play fighting, or some attitude from her. When she sasses you [attitude is so sexy!], raise one eyebrow and turn up your lips, as if saying “Yeah, sure thing hunny.”
Practice your EC and facial expressions in the mirror... just the basics: happiness, requesting more information, ****y/funny, and get the muscle memory down. Hold eye contact in every situation you can - with teachers, your friends, girls [ESPECIALLY ugly ones]. Be careful not to stare at men that are not friends, as hard EC is perceived as a threat by men.
Attraction building EC - your gaze sends your target a message, and will often lead to deep rapport. Done in a woman’s intimate distance [within 2 feet], and best coupled with intermediate-heavy kino, look deep into her eyes with a soft expression. Slowly look from her eyes, to her lips, and back to her eyes. Also, using slow, soft kino, if you run your fingers through her hair, look at her hair. If you trace her shoulder, down her arm, to her hand, follow the path of your fingers on her skin.
Eye contact is nothing to be afraid of, in fact, it’s a very powerful technique deserving of special consideration and practice. Happy hunting, DJ’s ;-)
