"She Laughed All Night. Then She Ghosted You. Here's Why."

Dinner ran three hours. She laughed at everything. You walked her to her car thinking this one's locked in.

Then: nothing. Two texts. No reply. What happened?

You did what most men do on a great date. You filled every silence, answered every question, and left her with nothing to wonder about. No mystery. Nothing to sit with when she got home.

Rule 3 of the "22 Rules" changes the ending: tell her a little, hold back the rest, and let her imagination do the chasing. The ghosting stops too.

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Enterprise final episode

Yotsuya-san

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The show has been living on borrowed time for at least two seasons. Though the episode most definitely brought closure to Archer and crew's adventures, it seemed to be ruined by the inclusion of Jonathan Frakes and Marina Sirtis reprising their Next Gen roles. Seemed to me they were there just to be in there and they got way too much screen time for what this story was supposed to be.
Since this is most likely to be the last "new" anything of Trek for a long time, I would think that they would have done a little more for Enterprise's final episode.
All in all, it drives home the idea that Star Trek which has been producing new eps since 1987 needs a long rest.
 

"She Wants a Man, Not a Boy"

You asked her if she wanted to grab coffee. Then you asked if the time worked. Then you asked if the place was okay. Then you asked if she'd prefer tea.

Four questions. Four chances for her to say no. Four signals that you're terrified of making a decision.

Plan it. Pick the place. Pick the time. Tell her where to meet you. She'll either show up or she won't.

Either way, you look like a man instead of a scared little boy.

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LowPlainsDrifter

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Yup... Babylon 5 wiped the floor with every iteration of Star Trek, except the Original Series, and some of Next Generation.
 

Yotsuya-san

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Originally posted by LowPlainsDrifter
Yup... Babylon 5 wiped the floor with every iteration of Star Trek, except the Original Series, and some of Next Generation.
Comparing Star Trek to Babylon 5 is sort of like comparing Blade Runner to Star Wars. Other than being SF, what do they have in common?
 

JohnJones

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I used to like Next Generation, but never watched any of the other shows, but I came across the last ep. on Sat. afternoon. I watched the 2nd half of it, and it was okay, but I did like that voiceover at the end with the three captains -- very worthwhile 1/2 hour.
 

"Why Women Dump the Guys Who Try the Hardest"

You paid for dinner. You drove. You said "whatever you want is fine" every single time. All the effort, no expectations.

And she left anyway — probably for a guy who makes her pick up the pizza.

Painful. Also predictable. Her mind quietly concludes that anything requiring zero effort from her is worth exactly zero. You became a free sample, and free samples get taken for granted.

The 22 Rules flip the dynamic. Small shifts that get her investing effort, money, and time in you — until SHE'S the one afraid of losing YOU.

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LowPlainsDrifter

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Originally posted by Yotsuya-san
Comparing Star Trek to Babylon 5 is sort of like comparing Blade Runner to Star Wars. Other than being SF, what do they have in common?
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Good point, I just felt that B5 was just far higher in the overall qualities of character development, dialogue and plot continuity.
 

Yotsuya-san

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Originally posted by LowPlainsDrifter
\

Good point, I just felt that B5 was just far higher in the overall qualities of character development, dialogue and plot continuity.
Your'e absolutely right about B5. But truth be told, I've always forgiven deficiencies in character development in SF, as long as there was a good science fiction premise. I feel that the stories should be about what these characters do and what they encounter as opposed to just who they are. Star Trek, IMO weakened when they put the science fiction (exploring strange new worlds) part in the background and just focused on character drama and steamy soap opera. B5 was great for what it was even if it was just conventional character drama and political intrigue against a "sci-fi" backdrop. Nothing against these elements, when used in moderation, I just hope to see a return to putting the science back in science fiction.
 
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