"I'm Not Looking for Anything Serious Right Now"

When a woman says it, guys hear a confession. A heads-up. A scheduling conflict.

Here's the translation: I don't feel anything. Right now. With you.

Watch what happens when a man triggers actual attraction. The busy career, the recent breakup, the "not in a place to date" — all of it evaporates instantly. The same woman who was guarding her freedom is suddenly free every night.

The "22 Rules" explain why. When the right switches flip, her timeline rearranges itself around you.

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Check out this fight! Ouch!

"You Can't Argue a Woman Into Liking You"

You made your case like a lawyer. Stable job. Good guy. Ready for something real. All true. All irrelevant.

She weighed your points, nodded along, felt nothing — then fell hard for some tattooed bartender with a motorcycle and a gambling problem.

Logic is where attraction goes to die. The "22 Rules" work a level deeper, on the subconscious switches that decide within minutes whether you register as a MAN or as part of the furniture.

Stop presenting evidence. Start flipping switches.

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vatoloco

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Kerpal said:
Just another example of how, in general, there is an inverse relationship between the effectiveness of a technique and how fancy-looking it is.
QFT

Earlier this year at work there was some kind of martial arts demo in one of the lawns. I approach and it was very similar to what the guy was doing (what's it called anyway?) Based on the training I've received, all those flailing arms and legs are prime targets for me to lock/break. :D
 

"You Can't Argue a Woman Into Liking You"

You made your case like a lawyer. Stable job. Good guy. Ready for something real. All true. All irrelevant.

She weighed your points, nodded along, felt nothing — then fell hard for some tattooed bartender with a motorcycle and a gambling problem.

Logic is where attraction goes to die. The "22 Rules" work a level deeper, on the subconscious switches that decide within minutes whether you register as a MAN or as part of the furniture.

Stop presenting evidence. Start flipping switches.

Read more...

Drum&Bass

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hope you guys don't think thats REAL. Its a scene from a movie called never back down with Djimon Hounsou.

I approach and it was very similar to what the guy was doing (what's it called anyway?) Based on the training I've received, all those flailing arms and legs are prime targets for me to lock/break.
There is a reason why there are arms flailing and it looks like a flashy spectacle....ITS SUPPOSE TO LOOK LIKE THAT !!!! ITS A DANCE !!!!

Your suppose to look at it and appreciate the movement and extravagance of the movements ! Your not suppose to climb into an MMA ring and use it in a real fight.
there is an inverse relationship between the effectiveness of a technique and how fancy-looking it is.
this is random...especially if your using that analogy for the video which is comparing apples to oranges.

Using a powerclean technique to lift a barbell off the floor looks fancy to someone who doesn't know how to powerclean. Does that negate its efficiency ?
 

vatoloco

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Drum&Bass said:
hope you guys don't think thats REAL. Its a scene from a movie called never back down with Djimon Hounsou
Haha! Thanks for the link. Now I know that 1) this is fake and that 2) it's called Capoeira.
 

ArcBound

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Well its staged cause its in that movie Never Back Down but if you notice you see the actual movie camera on the top right somewhere near the end of the video, meaning this is just someone who brought their own camera to film the scene while it was being made for the actual film. In the actual film its more of a close up on the black guy when he's doing his flips.
 

"She Made Her Decision Before You Finished Your Sentence"

Three seconds. That's how long it took. Your shoes. Your posture. The way you held your drink. Whether you looked at the floor or looked at her.

She already filed you away. Interesting. Boring. Safe. Bold. Before you even opened your mouth.

Everything you say after that is just her confirming what she already decided.

So stop rehearsing lines. Fix the first three seconds. Stand tall. Look up. Smile like you mean it. Walk like you belong wherever you're standing.

The words come later. The impression comes first.

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