"The Coffee Shop Girl You Never Spoke To"

You've replayed it a hundred times. She stood three feet away, scrolling her phone. You had an opening. You composed the perfect line — after she was gone.

For all you know, she's married now. To some guy who said something. Anything.

Openers are cheap. Almost any sentence works when it's delivered within three seconds. The expensive part is the standing there, drafting and deleting, while the window quietly closes.

The "22 Rules" stripped out my hesitation. What to open with, how to keep it alive, and the one habit that costs guys more women than anything else: waiting for perfect.

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My hinderance

B4IFURU18?

Don Juan
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I have one problem that has been affecting my game. That problem is quota. When I go out on the weekends (the only nights I get out) I feel like I put a lot of pressure on myself to perform.

I feel this way because I don't get out much on the weeknights, so I have to take advantage of Friday and Saturday nights all I can.

This ****s with me, and I end up psyching myself out, and missing a lot of opportunities.

Anyone else experience **** like this? It drives me nuts, but I'm going to conquer it.
 

"She Made Her Decision Before You Finished Your Sentence"

Three seconds. That's how long it took. Your shoes. Your posture. The way you held your drink. Whether you looked at the floor or looked at her.

She already filed you away. Interesting. Boring. Safe. Bold. Before you even opened your mouth.

Everything you say after that is just her confirming what she already decided.

So stop rehearsing lines. Fix the first three seconds. Stand tall. Look up. Smile like you mean it. Walk like you belong wherever you're standing.

The words come later. The impression comes first.

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Stuntmann

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Aug 25, 2007
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I don't believe in special nights out to sarge.


You buy gas don't you? Lottery tickets? Groceries?
 
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