"She Liked You in March. It's October Now."

Attraction runs on a clock.

She flirted for weeks. Touched your arm. Found reasons to be alone with you. And you were careful. Respectful. Waiting for the right moment.

The moment had a shelf life. It expired around month two, and by the time you asked her out, she'd quietly filed you under "little brother."

One of the hardest lessons inside the 22 Rules: women rarely wait. Interest either grows or it decays, and nothing decays it faster than a man who never moves.

Make the move while she's still inventing reasons to be near you.

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Joining an Improvisational Class and it's benefits

The Mad Ghost

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Mar 17, 2010
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I was persuaded to join a Improv Class, I'm going to see whats up this coming, Monday, tommorow, atleast it gets me a little more social and possibly will help me in the long run with thinking on my feet, spontaneity, be wittier and it gets you de-sensitized to engaging other people in interesting and unique ways.

SS Members here ever been to or currently at Improv Classes?
 

"You'll Never Feel READY to Walk Over"

Next Monday you'll feel more confident. After the gym you'll feel more confident. After one more drink you'll feel more confident. After you get a better haircut, a better jacket, a better job.

You've been "getting ready" for two years.

She's standing ten feet away right now. She'll be gone in four minutes. No amount of preparation will manufacture the courage that only comes from moving your feet.

Walk over. Stumble through the first sentence. Let it be clumsy. Let it be imperfect. You will feel more alive in those ten seconds than you have all month.

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Nygard

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Jul 3, 2007
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I wish I could. Where I live there's not such things as comedy clubs or improv. I might try it next time I go to Los Angeles.
 

Live-n-learn

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I've finished a basic improv course just a month ago. It was at first a bit strange to have all those eyes on you, even though it was just a small group of 12 ppl in the class or so. But there's warm up accessories that the class does to get you used to being up at the center of the attention, so I thought that was great.

The idea is to build the scene WITH your scene partner(s), which I found hard since I enjoy naturally veering off track just for the sake of randomness. It can be hard whenever you're stuck in a part of the scene where you just draw a blank (thankfully didn't happen to me, but eventually it does to everyone). That's an opportunity for you to acknowledge that awkwardness up front and somehow spin it around as a observational joke etc. So this would help in real conversations etc.

Overall good experience, though it was a more artsy environment. Nothing wrong with that at all, as I enjoy creativity. Just that the "artistic" lifestyle is very idealized by the common artfolk.

Best thing was my improv teacher didn't really like me, but I chalk it up as because she was probably a man-hater (she slipped a clue during a lesson).
 
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